[\/perex]<\/p>\r\n
V\u00e1\u0161 soubor Farma v\u00a0jeskyni slav\u00ed dvacet let existence. Jak se za ta dv\u011b desetilet\u00ed prom\u011bnil?<\/strong> Jak byste p\u0159ibl\u00ed\u017eil svoji tvorbu \u010dten\u00e1\u0159\u016fm, kte\u0159\u00ed v\u00e1s zat\u00edm neznaj\u00ed?<\/strong> Posledn\u00ed dva roky byly pro kulturu velmi slo\u017eit\u00e9. Jak jste se s\u00a0t\u00edm vypo\u0159\u00e1dali?<\/strong> Za dvacet let se v\u00fdrazn\u011b prom\u011bnilo i\u00a0slo\u017een\u00ed souboru. Kolik te\u010f m\u00e1te \u010dlen\u016f?<\/strong> Zv\u00fd\u0161il se n\u00e1m po\u010det lid\u00ed\u00a0v\u00a0organizaci a\u00a0pos\u00edlilo z\u00e1zem\u00ed souboru. M\u00e1m z\u00a0toho velkou radost a\u00a0sm\u011b\u0159ujeme k\u00a0tomu, aby se do budoucna vytvo\u0159il st\u00e1lej\u0161\u00ed soubor z\u00a0\u0159ad nov\u00fdch mlad\u00fdch performer\u016f, kte\u0159\u00ed ji\u017e s\u00a0n\u00e1mi v\u00a0posledn\u00edch letech spolupracuj\u00ed. Zakl\u00e1daj\u00edc\u00ed \u010dlenov\u00e9 souboru p\u0159ed\u00e1vaj\u00ed sv\u00e9 zku\u0161enosti a\u00a0specifick\u00fd zp\u016fsob pr\u00e1ce s\u00a0v\u00fdrazem nov\u00fdm spolupracovn\u00edk\u016fm. \u2026 hudebn\u00edm ve smyslu vok\u00e1ln\u00edm?<\/strong> Va\u0161e spolupr\u00e1ce se seniory tak\u00e9 pokra\u010duje?<\/strong> Nyn\u00ed p\u0159ipravujeme nov\u00e9 workshopy zam\u011b\u0159en\u00e9 na prevenci online radikalizace d\u011bt\u00ed\u00a0a\u00a0dosp\u00edvaj\u00edc\u00edch \u2013 ty pl\u00e1nujeme nab\u00edzet zejm\u00e9na \u0161kol\u00e1m od z\u00e1\u0159\u00ed. S\u00a0vybran\u00fdmi experty vyv\u00edj\u00edme model d\u00edlen, kter\u00e9 by m\u011bly upozornit d\u011bti, mlad\u00e9 lidi i\u00a0u\u010ditele, jak se online radikalizaci br\u00e1nit.<\/p>\r\n Jak jste se k\u00a0t\u00e9matu radikalizace d\u011bt\u00ed a\u00a0ml\u00e1de\u017ee dostali?<\/strong> To je d\u011bsiv\u00e9. Tak\u017ee loni jste nato\u010dili film\u00a0o\u00a0Commanderovi?<\/strong> J\u00e1 jsem do t\u00e9 doby v\u016fbec netu\u0161il, \u017ee d\u011bti na internetu d\u011blaj\u00ed n\u011bco takov\u00e9ho, n\u011bco, co m\u016f\u017ee m\u00edt velmi nebezpe\u010dn\u00e9 d\u016fsledky. A\u00a0asi nejsem s\u00e1m, kdo to nev\u011bd\u011bl. Ale v\u0161ichni tu\u0161\u00edme, co by to mohlo do budoucna p\u0159in\u00e9st\u2026 \u0158\u00edkal jsem si, co by se stalo, kdyby mezi sebou formou t\u011bchto autentick\u00fdch chat\u016f komunikovali lid\u00e9 ve ve\u0159ejn\u00e9m prostoru. A\u00a0co kdyby si toto \u0159\u00edkaly mezi sebou d\u011bti? Vznikl z\u00a0toho nakonec um\u011bleck\u00fd film, obsazen\u00fd talentovan\u00fdmi \u010desk\u00fdmi d\u011btmi, kter\u00e9 se chovaj\u00ed a\u00a0mluv\u00ed jako nebezpe\u010dn\u00ed mal\u00ed dosp\u011bl\u00ed. Je to zneklid\u0148uj\u00edc\u00ed, ale i\u00a0dost absurdn\u011b humorn\u00e9.<\/p>\r\n Hran\u00fd film s\u00a0d\u011btmi je ale velmi n\u00e1ro\u010dn\u00e1 discipl\u00edna\u2026<\/strong> Film Commander bude ur\u010den div\u00e1k\u016fm star\u0161\u00edm 12 let?<\/strong> Kdy m\u016f\u017eeme film a\u00a0p\u0159edstaven\u00ed zhl\u00e9dnout?<\/strong> Co m\u016f\u017eu od vzd\u011bl\u00e1vac\u00ed \u010d\u00e1sti \u010dekat jako rodi\u010d?<\/strong> D\u00e1 se \u0159\u00edct, \u017ee je to prvn\u00ed projekt, kter\u00fd v\u00a0takov\u00e9m rozsahu a\u00a0s\u00a0takov\u00fdmi r\u016fzn\u00fdmi zam\u011b\u0159en\u00edmi mapuje t\u00e9ma, je\u017e si mnoho lid\u00ed na po\u010d\u00e1tku t\u0159eba ani nedok\u00e1\u017ee p\u0159edstavit. Ale bohu\u017eel se to d\u011bje a\u00a0asi bychom byli p\u0159ekvapeni,\u00a0v\u00a0jak\u00e9 m\u00ed\u0159e a\u00a0jak bl\u00edzko se t\u0159eba p\u0159es mobil nebo tablet m\u016f\u017ee dostat i\u00a0k\u00a0na\u0161emu d\u00edt\u011bti, kter\u00e9 je pro radikalizuj\u00edc\u00edho mnohdy bohu\u017eel snadno manipulovatelnou ko\u0159ist\u00ed.<\/p>\r\n D\u0159\u00edv jste hodn\u011b jezdili po festivalech, vystupovali jste na t\u0159ech kontinentech, z\u00edskali jste \u0159adu ocen\u011bn\u00ed. Pl\u00e1nujete se k\u00a0festivalov\u00e9 prezentaci vr\u00e1tit?<\/strong> Do sv\u00fdch projekt\u016f jste zapojili seniory, te\u010f d\u011bti. V\u00a0p\u0159edstaven\u00ed \u00dato\u010di\u0161t\u011b jste se zab\u00fdvali dnes op\u011bt velmi aktu\u00e1ln\u00edm t\u00e9matem emigrace, imigrace a\u00a0za\u010dle\u0148ov\u00e1n\u00ed uprchl\u00edk\u016f do spole\u010dnosti. P\u0159\u00edprav\u011b se v\u011bnujete i\u00a0n\u011bkolik let p\u0159edem, tak\u017ee co se ve Farm\u011b r\u00fdsuje d\u00e1l? R\u00e1di bychom tak\u00e9 iniciovali vznik nov\u00e9 autorsk\u00e9 opery na t\u00e9ma \u017eivota Davida Lynche, slavn\u00e9ho filmov\u00e9ho scen\u00e1risty a\u00a0re\u017eis\u00e9ra (tv\u016frce kultovn\u00edho seri\u00e1lu M\u011bste\u010dko Twin Peaks, pozn. red.).<\/p>\r\n To je ov\u0161em \u00fapln\u011b nov\u00fd \u017e\u00e1nr!<\/strong> Rozhovor do \u010dasopisu ur\u010den\u00e9ho obyvatel\u016fm Prahy 7 nem\u016f\u017ee kon\u010dit jinak ne\u017e ot\u00e1zkou: Co m\u00e1te na Sedmi\u010dce r\u00e1d?<\/strong> V\u00a0posledn\u00edch letech vn\u00edm\u00e1m tak\u00e9 v\u00fdrazn\u00e9 zm\u011bny k\u00a0lep\u0161\u00edmu. Miz\u00ed r\u016fzn\u00e9 p\u0159\u00ed\u0161ern\u00e9 ploty p\u0159ed V\u00fdstavi\u0161t\u011bm\u00a0a\u00a0taky ty podstatn\u011bj\u0161\u00ed bari\u00e9ry. T\u00edm, co tato \u010dtvr\u0165 d\u011bl\u00e1 a\u00a0jak komunikuje, se pro m\u011b navrac\u00ed k\u00a0d\u016fle\u017eit\u00fdm hodnot\u00e1m, jako je vz\u00e1jemn\u00e1 solidarita, \u00facta v\u016f\u010di p\u0159\u00edrod\u011b a\u00a0st\u00e1\u0159\u00ed. Mysl\u00edm, \u017ee to m\u016f\u017ee b\u00fdt inspiruj\u00edc\u00ed sign\u00e1l i\u00a0pro ostatn\u00ed m\u011bstsk\u00e9 \u010d\u00e1sti a\u00a0v\u016fbec pro lidi v\u00a0Praze. A\u00a0mysl\u00edm, \u017ee v\u00a0tom r\u00e1d budu d\u00e1l \u017e\u00edt i\u00a0j\u00e1. <\/p>\r\n
\r\nSoubor se prom\u011bnil dost v\u00fdrazn\u011b. Na za\u010d\u00e1tku jsme nach\u00e1zeli inspiraci v\u00a0r\u016fzn\u00fdch kultur\u00e1ch po cel\u00e9m sv\u011bt\u011b a\u00a0zam\u011b\u0159ovali se zejm\u00e9na na v\u00fdraz pr\u00e1ce performera. Te\u010f jsme t\u011blesem, kter\u00e9 nev\u0161edn\u00edm a\u00a0siln\u00fdm zp\u016fsobem zpracov\u00e1v\u00e1 sou\u010dasn\u00e9 aktu\u00e1ln\u00ed n\u00e1m\u011bty v\u00a0r\u016fzn\u00fdch um\u011bleck\u00fdch discipl\u00edn\u00e1ch, ne pouze ve fyzick\u00e9m divadle, kde jsme doma. \u010casto jsou to t\u00e9mata, kter\u00e1 maj\u00ed dopad na ka\u017ed\u00e9ho z\u00a0n\u00e1s, ale ve\u0159ejnost je v\u00a0danou dobu je\u0161t\u011b nemus\u00ed vn\u00edmat. Zm\u00ednil bych t\u0159eba t\u00e9ma vylou\u010den\u00ed senior\u016f ze spole\u010dnosti a\u00a0strach ze st\u00e1rnut\u00ed v\u00a0inscenaci Nav\u017edy spolu! nebo hrani\u010dn\u00ed situace, kter\u00fdmi proch\u00e1zej\u00ed mlad\u00ed lid\u00e9 ut\u00edkaj\u00edc\u00ed p\u0159ed utla\u010duj\u00edc\u00edm re\u017eimem v\u00a0inscenaci \u00dato\u010di\u0161t\u011b. Velk\u00fdm miln\u00edkem v\u00a0pr\u00e1ci Farmy byl tak\u00e9 rok 2018, kdy se stala reziden\u010dn\u00edm souborem Centra sou\u010dasn\u00e9ho um\u011bn\u00ed DOX, kde nyn\u00ed tvo\u0159\u00edme i\u00a0repr\u00edzujeme svoje inscenace, ale tak\u00e9 realizujeme sv\u016fj v\u00fdzkum a\u00a0eduka\u010dn\u00ed programy pro ve\u0159ejnost.<\/p>\r\n
\r\nJe to intenzivn\u00ed zku\u0161enost, kter\u00e1 se slovy t\u011b\u017eko popisuje. S\u00a0aktu\u00e1ln\u00edmi t\u00e9maty pracujeme autorsk\u00fdm zp\u016fsobem a\u00a0vytv\u00e1\u0159\u00edme obrazy, akce, hudbu, je\u017e daj\u00ed vzniknout jednotn\u00e9 v\u00fdpov\u011bdi na jevi\u0161ti a\u00a0te\u010f u\u017e\u00a0i\u00a0na filmov\u00e9m pl\u00e1tn\u011b. Je to divadlo, kter\u00e9 komunikuje prost\u0159ednictv\u00edm emoc\u00ed, a\u00a0d\u00e1 se pozitivn\u011b \u0159\u00edct, \u017ee \u00fato\u010d\u00ed na v\u0161echny smysly. Pracujeme s\u00a0\u017eivou hudbou, s\u00a0videem, s\u00a0t\u011blesnost\u00ed a\u00a0pohybem, na\u0161e komunikace nen\u00ed z\u00e1visl\u00e1 pouze na slov\u011b a\u00a0je otev\u0159en\u00e1 v\u0161em div\u00e1k\u016fm. Je to n\u011bco, \u010d\u00edm se m\u016f\u017ee div\u00e1k nechat un\u00e1\u0161et obdobn\u011b jako hudbou nebo obrazem. M\u016f\u017ee si dop\u0159\u00e1t aspo\u0148 na chv\u00edli vy\u0159adit navykl\u00e9 zp\u016fsoby ch\u00e1p\u00e1n\u00ed a\u00a0nechat se prost\u011b vt\u00e1hnout. Chceme v\u00a0div\u00e1kovi probudit jin\u00e9 ne\u017e analytick\u00e9 vn\u00edm\u00e1n\u00ed, sp\u00ed\u0161 sd\u00edl\u00edme ne\u017e vysv\u011btlujeme. Na\u0161e inscenace nejsou jednostrann\u011b odvypr\u00e1v\u011bn\u00fd p\u0159\u00edb\u011bh, sp\u00ed\u0161e se odehr\u00e1vaj\u00ed v\u00a0krajin\u011b emoc\u00ed\u00a0a\u00a0asociac\u00ed. Jako byste se d\u00edvali t\u0159eba na obraz Hieronyma Bosche \u2013 d\u011bje se tam toho hodn\u011b nar\u00e1z, je to intenzivn\u00ed, pln\u00e9 a\u00a0poka\u017ed\u00e9 v\u00e1s m\u016f\u017ee zaujmout jin\u00fd detail, jin\u00fd v\u00fd\u0159ez toho pln\u00e9ho obrazu. Mo\u017en\u00e1 pr\u00e1v\u011b ten m\u00e1 pro v\u00e1s poselstv\u00ed, na kter\u00e9 v\u00a0sob\u011b pot\u0159ebujete zareagovat, kter\u00e9 se v\u00e1s dot\u00fdk\u00e1 na z\u00e1klad\u011b toho, co jste s\u00e1m pro\u017eil nebo \u010d\u00edm si proch\u00e1z\u00edte. V\u011b\u0159\u00edm, \u017ee p\u0159i na\u0161ich p\u0159edstaven\u00edch se nikdo nudit nebude.<\/p>\r\n
\r\nNa rok 2020 jsme pl\u00e1novali premi\u00e9ru inscenace Efem\u00e9ry. Uzp\u016fsobili jsme ji jako inscenaci do pandemick\u00e9 doby. Div\u00e1ci \u2013 ve skupink\u00e1ch po dvou \u2013 m\u011bli nastoupit do p\u00e1ternosteru a\u00a0zhl\u00e9dnout pohybov\u00e9 sc\u00e9ny z\u00a0r\u016fzn\u00fdch lidsk\u00fdch osud\u016f v\u00a0pod\u00e1n\u00ed dvaceti performer\u016f. Odehr\u00e1valy se na jednotliv\u00fdch patrech pal\u00e1ce Lucerna a\u00a0b\u011bhem j\u00edzdy by si ka\u017ed\u00fd div\u00e1k skl\u00e1dal svoji mozaiku souvislost\u00ed toho, na co voyeursky nahl\u00ed\u017eel z\u00a0kabiny. Ale omezen\u00ed n\u00e1m neumo\u017enila prov\u00e9st ani toto, proto jsme shodou \u0161\u0165astn\u00fdch n\u00e1hod Efem\u00e9ry p\u0159eklopili do stejnojmenn\u00e9ho tane\u010dn\u00edho filmu, kter\u00fd loni z\u00edskal dv\u011b ocen\u011bn\u00ed na festivalu\u00a0v\u00a0Idahu. Mus\u00edm p\u0159iznat, \u017ee nato\u010dit tane\u010dn\u00ed film n\u00e1s v\u017edycky velmi l\u00e1kalo. Hned potom, v\u00a0l\u00e9t\u011b 2021, n\u00e1sledoval hran\u00fd film s\u00a0d\u011btmi Commander, co\u017e byla druh\u00e1 velk\u00e1 zku\u0161enost a\u00a0dal\u0161\u00ed expanze do nov\u00e9ho oboru. Zkusili jsme si tak\u00e9 oblast vizu\u00e1ln\u00ed instalace a\u00a0jsme sou\u010d\u00e1st\u00ed v\u00fdstavy Nad\u011bjn\u00e9 vyhl\u00eddky, kter\u00e1 p\u0159edstavuje n\u00e1m\u011bt d\u00edt\u011bte a\u00a0d\u011btstv\u00ed v\u00a0sou\u010dasn\u00e9m \u010desk\u00e9m um\u011bn\u00ed. Farma v\u00a0jeskyni je neust\u00e1le v\u00a0pohybu, bav\u00ed m\u011b pronikat nejen do nov\u00fdch t\u00e9mat, ale i\u00a0do nov\u00fdch forem um\u011bn\u00ed. Je to neust\u00e1l\u00e1 pr\u00e1ce na sob\u011b, p\u0159ehodnocov\u00e1n\u00ed vlastn\u00edch postoj\u016f. To, \u017ee v\u017edy p\u0159ij\u00edm\u00e1me novou v\u00fdzvu, d\u011bl\u00e1 \u017eiv\u00e9\u00a0i\u00a0to, co d\u011bl\u00e1me. Div\u00e1ky r\u00e1di v\u017edy n\u011b\u010d\u00edm p\u0159ekvap\u00edme.<\/p>\r\n
\r\nV\u00a0organizaci aktu\u00e1ln\u011b spolupracuje \u0161esti\u010dlenn\u00fd z\u00e1kladn\u00ed t\u00fdm a\u00a0n\u011bkolik extern\u00edch mana\u017eer\u016f. V\u00a0ka\u017ed\u00e9m repr\u00edzovan\u00e9m um\u011bleck\u00e9m projektu je jin\u00fd po\u010det um\u011bleck\u00fdch spolupracovn\u00edk\u016f. V\u00a0nov\u00e9 inscenaci Commander budou \u00fa\u010dinkovat performe\u0159i z\u00a0\u010ceska, Slovenska, It\u00e1lie a\u00a0Francie, pracuje na n\u00ed izraelsk\u00e1 sv\u011bteln\u00e1 design\u00e9rka Felice Ross, slovensk\u00fd videoum\u011blec Erik Barto\u0161, srbsk\u00e1 dramaturgyn\u011b Sodja Lotker a\u00a0slovensk\u00e1 sc\u00e9nografka Lucia \u0160kand\u00edkov\u00e1.<\/p>\r\n
\r\n
\r\nDiv\u00e1ci mohou po nevy\u017e\u00e1dan\u00e9 pandemick\u00e9 p\u0159est\u00e1vce zaj\u00edt na va\u0161e inscenace Nav\u017edy spolu!, \u00dato\u010di\u0161t\u011b a\u00a0Inform\u00e1to\u0159i. Jak to vypad\u00e1 s\u00a0workshopy pro profesion\u00e1ly, kter\u00e9 jste d\u0159\u00edve po\u0159\u00e1dali po cel\u00e9m sv\u011bt\u011b, od Braz\u00edlie po Koreu?
\r\n<\/strong>Rozhodn\u011b s\u00a0nimi po\u010d\u00edt\u00e1me. V\u00a0na\u0161\u00ed technice pr\u00e1ce s\u00a0v\u00fdrazem se st\u00edraj\u00ed rozd\u00edly mezi tane\u010dn\u00edm, hereck\u00fdm i\u00a0hudebn\u00edm interpretem\u2026<\/p>\r\n
\r\nNe, mysl\u00edm t\u00edm celkovou muzikalitu, vn\u00edm\u00e1n\u00ed rytmu, fr\u00e1zov\u00e1n\u00ed pohybu, co\u017e jsou \u0159ekn\u011bme hudebn\u00ed n\u00e1hledy na pohyb jako takov\u00fd \u2013 a\u00a0v\u00a0tomto smyslu se u\u00a0ka\u017ed\u00e9ho performera kultivuje muzikalita. Farma v\u00a0jeskyni ov\u0161em nad\u00e1le spolupracuje se \u0161pi\u010dkov\u00fdmi muzikanty, tak\u017ee neopou\u0161t\u00ed ani p\u0159\u00edmou hudebn\u00ed tvorbu. Immerse performing je univerz\u00e1ln\u00ed metoda, kterou p\u0159ed\u00e1v\u00e1me d\u00e1le prost\u0159ednictv\u00edm workshop\u016f pro profesion\u00e1ly, ale taky z\u00a0n\u00ed vych\u00e1z\u00edme p\u0159i pr\u00e1ci s\u00a0komunitami, kter\u00e9 nemaj\u00ed p\u0159edch\u00e1zej\u00edc\u00ed zku\u0161enost s\u00a0divadeln\u00edm procesem. Z\u016fst\u00e1v\u00e1me tak otev\u0159en\u00ed v\u016f\u010di r\u016fzn\u00fdm z\u00e1jemc\u016fm o\u00a0na\u0161i pr\u00e1ci, nejen v\u016f\u010di na\u0161im div\u00e1k\u016fm.<\/p>\r\n
\r\nAno! Na\u0161e spolupr\u00e1ce trv\u00e1 v\u00edce ne\u017e p\u011bt let. Z\u00a0pr\u00e1ce s\u00a0nimi vzniklo p\u0159edstaven\u00ed Nav\u017edy spolu!, ve kter\u00e9m se na jednom jevi\u0161ti potk\u00e1vaj\u00ed se dv\u011bma na\u0161imi profesion\u00e1ln\u00edmi performerkami Hanou Varadzinovou a\u00a0Eli\u0161kou Vav\u0159\u00edkovou. A\u00a0na\u0161i senio\u0159i v\u00a0n\u011bm opravdu z\u00e1\u0159\u00ed. C\u00edlem bylo postavit inscenaci tak, aby si nikdo nev\u0161iml, \u017ee jsou to amat\u00e9\u0159i, kte\u0159\u00ed s\u00a0divadlem nem\u011bli \u017e\u00e1dnou zku\u0161enost, a\u00a0u\u017e v\u016fbec ne s\u00a0fyzick\u00fdm divadlem, n\u00e1ro\u010dn\u00fdm na preciznost a\u00a0p\u0159esnost proveden\u00ed. V\u0161echny limity jsme cht\u011bli zakr\u00fdt a\u00a0nespol\u00e9hat na shov\u00edvavost div\u00e1k\u016f. Znamenalo to semknout se a\u00a0t\u00e1hnout za jeden provaz, bez ohledu na v\u011bk. A\u00a0tak by to m\u011blo b\u00fdt i\u00a0v\u00a0re\u00e1ln\u00e9m \u017eivot\u011b.<\/p>\r\n
\r\nV\u00a0dubnu 2020 jsem se ve zpr\u00e1v\u00e1ch do\u010detl, \u017ee mezin\u00e1rodn\u00ed policie dopadla v\u016fdce mezin\u00e1rodn\u00ed neonacistick\u00e9 online organizace Feuerkrieg Division, FKD, kter\u00fd p\u016fsobil pod profilem Commander. Nab\u00e1dal n\u011bkolik \u010dlen\u016f t\u00e9to tajn\u00e9 online skupiny k\u00a0teroristick\u00e9mu \u00fatoku v\u00a0Lond\u00fdn\u011b nebo sd\u00edlel n\u00e1vody na v\u00fdrobu bomby. Naprosto m\u011b \u0161okovalo, kdy\u017e jsem se dozv\u011bd\u011bl, \u017ee t\u00edmhle v\u016fdcem krajn\u011b pravicov\u00e9 teroristick\u00e9 organizace je teprve t\u0159in\u00e1ctilet\u00fd estonsk\u00fd chlapec, ukr\u00fdvaj\u00edc\u00ed se pod profilem Commander. A\u00a0je\u0161t\u011b v\u00edc m\u011b \u0161okovalo, kdy\u017e jsem \u010detl printscreeny jejich komunikace.<\/p>\r\n
\r\nAno, ale film se net\u00fdk\u00e1 konkr\u00e9tn\u011b zm\u00edn\u011bn\u00e9ho t\u0159in\u00e1ctilet\u00e9ho kluka. Vzhledem k\u00a0jeho v\u011bku bylo na informace o\u00a0n\u011bm uvaleno embargo. Um\u011bleck\u00fd film Commander je zalo\u017een\u00fd na mont\u00e1\u017ei fragment\u016f ze skute\u010dn\u00fdch online rozhovor\u016f neonacist\u016f, to znamen\u00e1, \u017ee ty dialogy nejsou vymy\u0161len\u00e9. Ani jedna v\u011bta. (\u0159\u00edk\u00e1 d\u016frazn\u011b)<\/p>\r\n
\r\nOd d\u011bt\u00ed se samoz\u0159ejm\u011b nem\u016f\u017ee o\u010dek\u00e1vat, \u017ee udr\u017e\u00ed koncentraci jako dosp\u011bl\u00ed herci, ale i\u00a0v\u00a0tomto smyslu jsme m\u011bli \u0161t\u011bst\u00ed. D\u011bti jsme si velmi pe\u010dliv\u011b vybrali a\u00a0pracovali s\u00a0nimi dva m\u011bs\u00edce p\u0159ed samotn\u00fdm nat\u00e1\u010den\u00edm. Byly v\u00fdborn\u011b p\u0159ipraven\u00e9 a\u00a0skv\u011ble motivovan\u00e9. Velmi n\u00e1m pomohli i\u00a0jejich rodi\u010de, kte\u0159\u00ed porozum\u011bli, o\u00a0\u010dem ten projekt je, a\u00a0\u00fa\u010dast\u00ed sv\u00e9ho d\u00edt\u011bte ho cht\u011bli podpo\u0159it \u2013 navzdory tomu, \u017ee ty d\u011bti vyslovuj\u00ed mnohokr\u00e1t velmi kontroverzn\u00ed v\u011bty. Ve\u0159ejn\u011b mluv\u00ed o\u00a0smrti a\u00a0nen\u00e1visti, sexu, dialogy balancuj\u00ed na hranici absurdity, humoru, strachu a\u00a0zd\u011b\u0161en\u00ed. Prost\u011b to, co \u0159\u00edkaj\u00ed, nen\u00ed vymy\u0161len\u00e9\u2026 D\u016fle\u017eitou slo\u017ekou nat\u00e1\u010den\u00ed tedy byla i\u00a0na\u0161e komunikace s\u00a0rodi\u010di. Je pot\u0159eba, aby se\u00a0o\u00a0radikalizaci d\u011bt\u00ed mluvilo. Mn\u011b osobn\u011b nat\u00e1\u010den\u00ed dodalo \u00fapln\u011b nov\u00fd dech, mohl jsem pracovat s\u00a0tak \u0161ikovn\u00fdmi d\u011btmi a\u00a0v\u00a0cel\u00e9m \u0161t\u00e1bu vznikly kamar\u00e1dsk\u00e9 vazby. P\u0159esto\u017ee je to t\u00e9ma opravdu velmi n\u00e1ro\u010dn\u00e9, tak jsme si p\u0159i nat\u00e1\u010den\u00ed u\u017eili i\u00a0spoustu legrace.<\/p>\r\n
\r\nAsi ano, ale to je\u0161t\u011b posoud\u00ed odborn\u00edk. Nen\u00ed tam \u017e\u00e1dn\u00e1 nahota nebo krev, ale ty d\u011bti \u0159\u00edkaj\u00ed hnusn\u00e9 v\u011bci a\u00a0krom\u011b jin\u00e9ho se v\u00a0jeden moment ve filmu hajluje. Mus\u00edm ale zd\u016fraznit, \u017ee Commander je vystav\u011bn\u00fd jako 360stup\u0148ov\u00fd projekt, kter\u00fd m\u00e1 dv\u011b hlavn\u00ed \u010d\u00e1sti \u2013 um\u011bleckou a\u00a0edukativn\u00ed. V\u00a0na\u0161ich kon\u010din\u00e1ch nen\u00ed tak b\u011b\u017en\u00e9, \u017ee by se divadeln\u00ed soubor v\u011bnoval taky vzd\u011bl\u00e1vac\u00edm aspekt\u016fm. V\u00a0r\u00e1mci um\u011bleck\u00e9 \u010d\u00e1sti tedy vznikl hran\u00fd film, um\u011bleck\u00e1 videoinstalace ve v\u00fdstav\u011b Nad\u011bjn\u00e9 vyhl\u00eddky a\u00a0p\u0159edstaven\u00ed. Ve vzd\u011bl\u00e1vac\u00ed \u010d\u00e1sti projektu byla vytvo\u0159ena edukativn\u00ed videa pro d\u011bti a\u00a0rodi\u010de a\u00a0d\u00e1le budou od podzimu prob\u00edhat d\u00edlny, jak se online radikalizaci vyhnout. Ka\u017ed\u00e1 ze dvou \u010d\u00e1st\u00ed projektu c\u00edl\u00ed na \u00fapln\u011b jinou hemisf\u00e9ru. Um\u011bleck\u00e1 m\u00e1 p\u0159in\u00e9st z\u00e1\u017eitek, emoci, zneklidn\u011bn\u00ed. Ta edukativn\u00ed naopak konkr\u00e9tn\u00ed n\u00e1vody, odpov\u011bdi. V\u00a0projektu si klademe ot\u00e1zku, jak\u00e9 tlaky na jedince v\u00a0na\u0161\u00ed sou\u010dasn\u00e9 spole\u010dnosti p\u016fsob\u00ed, z\u00a0\u010deho vlastn\u011b m\u016f\u017ee ten radikalismus vyr\u016fst. Je t\u0159eba ob\u011b \u010d\u00e1sti projektu Commander rozli\u0161ovat, ale z\u00e1rove\u0148
\r\nje skv\u011bl\u00e9 za\u017e\u00edt ob\u011b a\u00a0v\u00a0sob\u011b si je spojit.<\/p>\r\n
\r\nV\u00a0\u010dervnu uvedeme v\u00a0DOXu v\u00a0premi\u00e9\u0159e inscenaci, kter\u00e1 bude m\u00edt divadeln\u00ed a\u00a0audiovizu\u00e1ln\u00ed \u010d\u00e1st. Ob\u011b dv\u011b na sebe dost provokativn\u011b navazuj\u00ed. Film ale d\u00e1l pob\u011b\u017e\u00ed i\u00a0s\u00e1m po sv\u00e9 vlastn\u00ed ose zejm\u00e9na na festivalech um\u011bleck\u00fdch sn\u00edmk\u016f. Na divadeln\u00ed \u010d\u00e1sti spolupracujeme
\r\nse \u0161ikovn\u00fdmi mlad\u00fdmi performery a\u00a0ji\u017e stabiln\u00edm inscena\u010dn\u00edm t\u00fdmem. D\u016fle\u017eit\u00e1 je pro n\u00e1s zneklid\u0148uj\u00edc\u00ed atmosf\u00e9ra, to, jak div\u00e1ka vt\u00e1hne vizu\u00e1ln\u00ed, hudebn\u00ed i\u00a0pohybov\u00e9 zpracov\u00e1n\u00ed cel\u00e9ho kontextu a\u00a0on si pak m\u016f\u017ee pokl\u00e1dat vlastn\u00ed ot\u00e1zky.<\/p>\r\n
\r\nNa eduka\u010dn\u00ed \u010d\u00e1sti spolupracuje \u010dlenka Farmy Mark\u00e9ta Hrehorov\u00e1 s\u00a0\u010deskou odbornic\u00ed na online radikalizaci Barborou Vegrichtovou, z\u00e1rove\u0148 v\u0161ak v\u00a0edukativn\u00edch vide\u00edch vystupuje i\u00a0sociolo\u017eka Karol\u00edna Presov\u00e1 ze skv\u011bl\u00e9 organizace Replug.me nebo lektor digit\u00e1ln\u00ed gramotnosti Michal Ku\u010der\u00e1k. D\u011bti i\u00a0rodi\u010de se m\u016f\u017eou sezn\u00e1mit s\u00a0jednotliv\u00fdmi aspekty online sv\u011bta, ve kter\u00e9m se bohu\u017eel extremistick\u00e9 my\u0161lenky \u0161\u00ed\u0159\u00ed velmi snadno. Rodi\u010de se dozv\u011bd\u00ed n\u011bkolik z\u00e1kladn\u00edch pravidel, jak online radikalizaci nebo indoktrinaci u\u00a0sv\u00fdch d\u011bt\u00ed vypozorovat, jak se j\u00ed br\u00e1nit, jak o\u00a0tom v\u00e9st s\u00a0d\u011btmi rozhovor, p\u0159\u00edpadn\u011b na koho se d\u00e1l obr\u00e1tit.<\/p>\r\n
\r\nUr\u010dit\u011b. Pokou\u0161\u00edme se dostat zp\u011bt na divadeln\u00ed \u00e1\u010dkov\u00e9 festivaly, kde jsme ji\u017e hostovali, anebo expandovat na nov\u00e9. Z\u00e1rove\u0148 se na\u0161e filmy objevuj\u00ed i\u00a0na filmov\u00fdch festivalech. Strategicky je to b\u011bh na del\u0161\u00ed tra\u0165. P\u0159edpokl\u00e1d\u00e1 to m\u00edt zastoupen\u00ed mana\u017eera pro zahrani\u010d\u00ed, kter\u00fd m\u00e1 zku\u0161enost s\u00a0na\u0161\u00edm typem autorsk\u00e9 tvorby, a\u00a0to nen\u00ed snadn\u00e9. Mnohokr\u00e1t vytvo\u0159\u00edte inscenaci, o\u00a0hostov\u00e1n\u00ed maj\u00ed z\u00e1jem i\u00a0festivaly za oce\u00e1nem, ale p\u0159ev\u00e9zt ji i\u00a0s\u00a0v\u00fdpravou a\u00a0cel\u00fdm t\u00fdmem nevyjde organiza\u010dn\u011b, finan\u010dn\u011b nebo to zatrhl covid, jak se n\u00e1m te\u010f d\u011blo.<\/p>\r\n
\r\n<\/strong>Ano, do ka\u017ed\u00e9ho t\u00e9matu se zano\u0159\u00edme. Nechceme ho zpracov\u00e1vat jen v\u00a0rovin\u011b povrchn\u00ed novinov\u00e9 zpr\u00e1vy, ale hled\u00e1me souvislosti, to, jak to ovliv\u0148uje n\u00e1\u0161 \u017eivot te\u010f a\u00a0tady. Pokud t\u00e9ma je\u0161t\u011b nen\u00ed v\u00a0pov\u011bdom\u00ed spole\u010dnosti, tak to m\u016f\u017ee p\u00e1r m\u011bs\u00edc\u016f trvat, ne\u017e se\u00a0v\u00a0n\u011bm d\u00edky na\u0161emu dialogu s\u00a0odborn\u00edky zorientujeme. No\u0159\u00edme se do n\u011bj v\u0161ak ne pouze na z\u00e1klad\u011b informac\u00ed, racion\u00e1ln\u011b, ale i\u00a0na z\u00e1klad\u011b empatie, vc\u00edt\u011bn\u00ed se do toho, jak t\u00e9ma ovlivnilo \u017eivoty lid\u00ed, se kter\u00fdmi d\u011bl\u00e1me rozhovory. R\u00e1di bychom pokra\u010dovali v\u00a0t\u00e9matu dopadu online komunikace na n\u00e1\u0161 \u017eivot i\u00a0v\u00a0dal\u0161\u00edm rozs\u00e1hl\u00e9m projektu Online Hero. Hloub\u011bji bychom se v\u011bnovali t\u00e9matu online nen\u00e1visti, ov\u0161em tentokr\u00e1t z\u00a0druh\u00e9 strany \u2013 kdo proti t\u00e9 nen\u00e1visti dok\u00e1\u017ee j\u00edt, kdo si s\u00a0n\u00ed dok\u00e1\u017ee n\u011bjak poradit, bojovat s\u00a0n\u00ed. Proto\u017ee co si budeme pov\u00eddat, v\u0161em t\u011bm hejtr\u016fm na soci\u00e1ln\u00edch s\u00edt\u00edch mnoho lid\u00ed \u010del\u00ed naprosto bezmocn\u011b. Velmi n\u00e1s tak\u00e9 ovliv\u0148uje z\u00e1vislost na online platform\u00e1ch. V\u017edy\u0165 generace na\u0161ich d\u011bt\u00ed u\u017e se do onlinu narodila a\u00a0ve virtu\u00e1ln\u00edm sv\u011bt\u011b tr\u00e1v\u00ed snad i\u00a0v\u011bt\u0161\u00ed \u010d\u00e1st \u017eivota ne\u017e v\u00a0tom skute\u010dn\u00e9m, offlinov\u00e9m sv\u011bt\u011b.<\/p>\r\n
\r\nAno. Nov\u00fd obzor, do kter\u00e9ho Farma v\u00a0jeskyni je\u0161t\u011b nepronikla. Ale proto\u017ee v\u0161echny projekty, kter\u00e9 d\u011bl\u00e1me, jsou na nekomer\u010dn\u00ed b\u00e1zi a\u00a0rozv\u00edjej\u00ed \u017e\u00e1nr a\u00a0pov\u011bdom\u00ed o\u00a0nep\u0159\u00edli\u0161 popul\u00e1rn\u00edch t\u00e9matech, velmi z\u00e1le\u017e\u00ed i\u00a0na podpo\u0159e, kter\u00e9 se n\u00e1m dostane, nebo na koproducentech \u010di partnerech projektu.<\/p>\r\n
\r\nV\u00a0Praze \u017eiju od roku 2001.\u00a0A\u00a0po celou dobu na Sedmi\u010dce! D\u00e1 se \u0159\u00edct, \u017ee po t\u011bch 21 letech u\u017e jsem tady opravdu zapustil ko\u0159eny, a\u00a0mysl\u00edm si, \u017ee je to jedna z\u00a0nejkr\u00e1sn\u011bj\u0161\u00edch m\u011bstsk\u00fdch \u010d\u00e1st\u00ed v\u00a0Praze \u2013 a\u00a0nejen v\u00a0Praze. Tak\u017ee u\u017e jsem jako Pra\u017e\u00e1k \u2013 nechci chodit na druhou stranu \u0159eky. (sm\u00edch) Letn\u00e1 m\u011b bav\u00ed jako vesnice, kter\u00e1 je metropolitn\u00ed \u2013 prost\u011b Sedmi\u010dka je takov\u00fd art district \u2013, ale z\u00e1rove\u0148 se tady d\u00e1 sportovat, h\u00fdbat, d\u00fdchat nebo zevlovat pod stromy. Ve v\u00fdtahu nazuju brusle a\u00a0m\u016f\u017eu se zastavit t\u0159eba a\u017e v\u00a0Kralupech.<\/p>\r\n
\r\n\u00a0\u00a0
\r\n\u2192
\r\nViliam Do\u010dolomansk\u00fd\u00a0(*1975), rod\u00e1k z\u00a0Malacek, synovec herce a\u00a0zp\u011bv\u00e1ka Michala Do\u010dolomansk\u00e9ho. Vystudoval divadeln\u00ed re\u017eii na JAMU v\u00a0Brn\u011b, v\u00a0roce 2004 absolvoval doktorandsk\u00e9 studium sc\u00e9nick\u00e9 tvorby a\u00a0teorie sc\u00e9nick\u00e9\u00a0tvorby na DAMU. \u0160est let (1995\u20132001)\u00a0spolupracoval s\u00a0Idou Kelarovou jako lektor v\u00a0Mezin\u00e1rodn\u00ed \u0161kole pro lidsk\u00fd hlas. V\u00a0roce 2002 zalo\u017eil vlastn\u00ed divadeln\u00ed soubor Farma v\u00a0jeskyni. Spolu<\/em>
\r\nse \u010dleny Farmy v\u00a0jeskyni vede mezin\u00e1rodn\u00ed workshopy po cel\u00e9m sv\u011bt\u011b,\u00a0jejich inscenace byly uvedeny na t\u0159ech\u00a0kontinentech. Farma v\u00a0jeskyni z\u00edskala mnoho mezin\u00e1rodn\u00edch i\u00a0\u010desk\u00fdch ocen\u011bn\u00ed, mezi nimi\u017e je nejpresti\u017en\u011bj\u0161\u00ed Evropsk\u00e1 cena Nov\u00e9 divadeln\u00ed reality pro re\u017eis\u00e9ra Viliama Do\u010dolomansk\u00e9ho, kter\u00fd se tak stal jedin\u00fdm \u010desk\u00fdm dr\u017eitelem t\u00e9to ceny. Viliam Do\u010dolomansk\u00fd od roku 2018 rovn\u011b\u017e p\u016fsob\u00ed na pozici programov\u00e9ho \u0159editele pro \u017eiv\u00e1 um\u011bn\u00ed Centra sou\u010dasn\u00e9ho um\u011bn\u00ed DOX.<\/em>
\r\nOd roku 2001 \u017eije na Sedmi\u010dce.<\/em><\/p>\r\n
![\"\"](\"https:\/\/www.praha7.cz\/wp-content\/uploads\/2022\/03\/D\u00f3\u010da_2_upraveno-667x1000.jpg\")
<\/a><\/p>","protected":false},"excerpt":{"rendered":"[perex] Kdyby se sv\u00fdm mezin\u00e1rodn\u00edm divadeln\u00edm studiem p\u016fsobil v\u00a0zahrani\u010d\u00ed, st\u00e1ly by se na jejich produkci fronty. U\u00a0n\u00e1s u\u017e dvacet let u\u010d\u00ed \u010desk\u00e9ho div\u00e1ka vystupovat z\u00a0komfortn\u00ed z\u00f3ny, zapojit fantazii a\u00a0vn\u00edmat divadlo v\u0161emi smysly. Jeho p\u0159edstaven\u00ed kombinuj\u00ed pohybov\u00e9 divadlo, propracovan\u00e9 choreografie, zp\u011bv, \u017eivou hudbu, t\u011blesnost, videoprojekce i\u00a0pe\u010dliv\u011b prostudovan\u00e9 aktu\u00e1ln\u00ed n\u00e1m\u011bty. Kritizuj\u00ed sou\u010dasnou spole\u010dnost, ale bez odsudk\u016f; otv\u00edraj\u00ed […]","protected":false},"author":76,"featured_media":56136,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[37],"tags":[],"_links":{"self":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/56135"}],"collection":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/comments?post=56135"}],"version-history":[{"count":3,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/56135\/revisions"}],"predecessor-version":[{"id":56140,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/56135\/revisions\/56140"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media\/56136"}],"wp:attachment":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media?parent=56135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/categories?post=56135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/tags?post=56135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}