\r\nV\u00a0Praze zahrani\u010dn\u00ed \u0161t\u00e1by intenzivn\u011b nat\u00e1\u010dej\u00ed u\u017e od 90. let. V\u00a0t\u00e9 dob\u011b \u010desk\u00e1 metropole hr\u00e1la prim mezi dal\u0161\u00edmi evropsk\u00fdmi lokacemi, a\u00a0to d\u00edky kombinaci n\u00edzk\u00e1 cena \u2013 atraktivn\u00ed lokace \u2013 zku\u0161en\u00ed filmov\u00ed profesion\u00e1lov\u00e9 (v\u00fdrobci dekorac\u00ed, kaskad\u00e9\u0159i, architekti apod.). Prvn\u00edmi vla\u0161tovkami byly sn\u00edmky Mission: Impossible nebo Iluzionista. Z\u00e1konit\u011b pak vznikly nov\u00e9 spole\u010dnosti, kter\u00e9 poskytuj\u00ed servis zahrani\u010dn\u00edm \u0161t\u00e1b\u016fm. Postupn\u011b ale Praze vyrostla konkurence. Mnoh\u00e9 zem\u011b se za\u010daly p\u0159edh\u00e1n\u011bt, kdo nab\u00eddne filma\u0159\u016fm lep\u0161\u00ed podm\u00ednky \u2013 a\u00a0na map\u011b zahrani\u010dn\u00edch produkc\u00ed p\u0159ibylo Polsko, Rumunsko, nov\u00e1 filmov\u00e1 studia za\u010dala l\u00e1kat filma\u0159e do Budape\u0161ti. V\u00a0nov\u011b vznikl\u00e9m konkuren\u010dn\u00edm prost\u0159ed\u00ed se pomysln\u00fdm \u017eol\u00edkem staly takzvan\u00e9 filmov\u00e9 pob\u00eddky, kter\u00e9 producentovi garantuj\u00ed n\u00e1vrat \u010d\u00e1sti pen\u011bz proinvestovan\u00fdch v\u00a0dan\u00e9 zemi. V\u00a0\u010cesku jsou pob\u00eddky aktu\u00e1ln\u011b ve v\u00fd\u0161i 20 procent z\u00a0utracen\u00fdch pen\u011bz. Kdy\u017e si zahrani\u010dn\u00ed produkce vyb\u00edraj\u00ed, v\u00a0jak\u00e9 zemi je pro n\u011b v\u00fdhodn\u011bj\u0161\u00ed nat\u00e1\u010det, pen\u00edze, jak u\u017e to tak b\u00fdv\u00e1, hraj\u00ed jednu z\u00a0kl\u00ed\u010dov\u00fdch rol\u00ed.<\/p>\r\n
N\u011bco za n\u011bco<\/strong> Zcela odli\u0161n\u011b ale situaci mohou vn\u00edmat m\u00edstn\u00ed obyvatel\u00e9, kte\u0159\u00ed na projektu nebo na byznysu spojen\u00e9m s\u00a0cestovn\u00edm ruchem nejsou nikterak zaanga\u017eovan\u00ed. T\u0159eba u\u017e jen proto, \u017ee se jednodu\u0161e nemohou dostat tam, kam pot\u0159ebuj\u00ed. Omezen\u00ed pohodl\u00ed \u017eivota v\u00a0metropoli by m\u011blo b\u00fdt n\u011b\u010d\u00edm vykoupen\u00e9. Existuje hranice toho, co lze je\u0161t\u011b tolerovat a\u00a0co je ji\u017e za hranou?<\/p>\r\n <\/p>\r\n <\/p>\r\n Kdy\u017e pen\u00edze pom\u00e1haj\u00ed<\/strong> Sedm\u00e1 m\u011bstsk\u00e1 \u010d\u00e1st povolen\u00ed k\u00a0z\u00e1boru vyd\u00e1v\u00e1 s\u00a0podm\u00ednkou, \u017ee ka\u017ed\u00fd, kdo o\u00a0n\u011bj po\u017e\u00e1d\u00e1, mus\u00ed rezident\u016fm nab\u00eddnout n\u00e1hradn\u00ed parkov\u00e1n\u00ed. Pokud se tedy ve va\u0161\u00ed ulici nat\u00e1\u010d\u00ed, pod\u00edvejte se na zadn\u00ed stranu dopravn\u00edch zna\u010dek. Najdete\u00a0tam takzvan\u00e9 rozhodnut\u00ed, kde je uvedena adresa n\u00e1hradn\u00edho parkov\u00e1n\u00ed, mobiln\u00ed telefon na \u010dlena filmov\u00e9ho \u0161t\u00e1bu, kter\u00fd jej m\u00e1 na starosti, n\u00e1zev filmov\u00e9 spole\u010dnosti, co se to\u010d\u00ed, kter\u00fdch lokalit se nat\u00e1\u010den\u00ed t\u00fdk\u00e1 a\u00a0odkdy dokdy bude ulice uzav\u0159en\u00e1.<\/p>\r\n Rozhodnut\u00ed o\u00a0zvl\u00e1\u0161tn\u00edm u\u017e\u00edv\u00e1n\u00ed ve\u0159ejn\u00e9\u00a0komunikace vyd\u00e1v\u00e1 p\u0159\u00edslu\u0161n\u00fd odbor dopravy. V\u00edce o\u00a0procesu z\u00edsk\u00e1n\u00ed rozhodnut\u00ed se dozv\u00edte v\u00a0rozhovoru s\u00a0loka\u010dn\u00edm mana\u017eerem v\u00a0dal\u0161\u00ed \u010d\u00e1sti \u010dl\u00e1nku. V\u00a0lo\u0148sk\u00e9m roce vydal n\u00e1\u0161 dopravn\u00ed odbor filma\u0159\u016fm na 80 kladn\u00fdch rozhodnut\u00ed.\u00a0\u201eSna\u017e\u00edme se m\u00edt s\u00a0loka\u010dn\u00edmi mana\u017eery korektn\u00ed vztahy, u\u017e se taky za ta l\u00e9ta dob\u0159e zn\u00e1me. Oni ji\u017e ch\u00e1pou, \u017ee hodit \u017e\u00e1dost o\u00a0z\u00e1bor na\u00a0podatelnu a\u00a0p\u0159edem ji\u00a0s\u00a0n\u00e1mi neprodiskutovat nen\u00ed \u00fapln\u011b dobr\u00e1 cesta. Naprost\u00e1 v\u011bt\u0161ina z\u00a0nich u\u017e v\u00ed, \u017ee je dobr\u00e9 s\u00a0n\u00e1mi z\u00e1bor nejd\u0159\u00edv p\u0159edjednat. Pokud v\u00a0dan\u00e9 lokalit\u011b neprob\u00edh\u00e1 \u017e\u00e1dn\u00e1 dal\u0161\u00ed akce, jako oprava s\u00edt\u00ed nebo t\u0159eba kulturn\u00ed pouli\u010dn\u00ed festival, nem\u00e1me d\u016fvod nevyj\u00edt filma\u0159\u016fm vst\u0159\u00edc. Na druhou stranu nen\u00ed snad jedin\u00e1 \u017e\u00e1dost, u\u00a0kter\u00e9 loka\u010dn\u00edmu ne\u0161krtneme n\u011bkolik metr\u016f nebo hodin z\u00e1boru. O\u00a0rozsahu a\u00a0d\u00e9lce z\u00e1boru se diskutuje nejv\u00edc \u2013 pro n\u00e1s je d\u016fle\u017eit\u00e9, aby po\u010d\u00edn\u00e1n\u00ed filma\u0159\u016f co mo\u017en\u00e1 nejm\u00e9n\u011b obt\u011b\u017eovalo rezidenty,\u201c prozradil Jan Kova\u0159\u00edk,\u00a0vedouc\u00ed Odboru dopravy. \u201eS\u00a0dodr\u017eov\u00e1n\u00edm\u00a0pravidel v\u011bt\u0161inou u\u00a0filma\u0159\u016f probl\u00e9m nem\u00e1me.\u00a0Sami si uv\u011bdomuj\u00ed, \u017ee se po \u010dase u\u00a0n\u00e1s zase objev\u00ed\u00a0s\u00a0\u017e\u00e1dost\u00ed o\u00a0z\u00e1bor, a\u00a0tak je dobr\u00e9 nem\u00edt u\u00a0n\u00e1s zbyte\u010dn\u011b n\u011bjak\u00fd \u0161kraloup,\u201c dod\u00e1v\u00e1 s\u00a0\u00fasm\u011bvem Kova\u0159\u00edk.<\/p>\r\n Nat\u00e1\u010den\u00ed \u017eivot lid\u00ed v\u00a0okol\u00ed v\u017edy ovlivn\u00ed. Proto je d\u016fle\u017eit\u00e9 komunikovat s\u00a0ob\u010dany, kter\u00fdch se bezprost\u0159edn\u011b dot\u00fdk\u00e1. \u201eTuhle komunikaci k\u00a0ob\u010dan\u016fm ohledn\u011b v\u0161ech aspekt\u016f nat\u00e1\u010den\u00ed s\u00a0d\u016frazem na p\u0159\u00ednosy by m\u011bla m\u00edt na starosti Prague Film Office \u2013 tedy pra\u017esk\u00e1 filmov\u00e1 kancel\u00e1\u0159, kter\u00e1 ale neexistuje. O\u00a0jej\u00edm zalo\u017een\u00ed jednala loni Asociace producent\u016f v\u00a0audiovizi s\u00a0n\u00e1mi a\u00a0magistr\u00e1tem a\u00a0pevn\u011b douf\u00e1m, \u017ee se letos povede pr\u016flom a\u00a0kancel\u00e1\u0159 bude zalo\u017eena,\u201c dod\u00e1v\u00e1 Pavl\u00edna \u017dipkov\u00e1. Filmov\u00e9 kancel\u00e1\u0159e funguj\u00ed v\u00a0jeden\u00e1cti kraj\u00edch a\u00a0v\u00a0zahrani\u010d\u00ed jsou zcela b\u011b\u017en\u00e9. \u010cas uk\u00e1\u017ee, jestli dvan\u00e1ctou \u010deskou filmovou kancel\u00e1\u0159\u00ed bude ta pra\u017esk\u00e1 a\u00a0jestli se j\u00ed bude da\u0159it p\u0159edch\u00e1zet t\u0159enic\u00edm mezi filma\u0159i a\u00a0rezidenty.\u00a0<\/p>\r\n A\u00a0co na to loka\u010dn\u00ed mana\u017eer? Jak ve stru\u010dnosti vypad\u00e1 cel\u00fd proces vyhled\u00e1v\u00e1n\u00ed m\u00edst vhodn\u00fdch pro filmov\u00e1n\u00ed?<\/strong> Je slo\u017eit\u00e9 hledat st\u00e1le nov\u00e1 neokoukan\u00e1 m\u00edsta?<\/strong> M\u016f\u017eete n\u00e1m popsat, jak slo\u017eit\u00e9 je z\u00edskat povolen\u00ed k\u00a0nat\u00e1\u010den\u00ed v\u00a0ulic\u00edch?<\/strong> Obyvatel\u00e9 ale\u00a0z\u00a0filma\u0159\u016f pod okny \u010dasto p\u0159\u00edli\u0161nou radost nemaj\u00ed.<\/strong> Loka\u010dn\u00ed mana\u017eer tedy stoj\u00ed mezi filma\u0159i a\u00a0rezidenty?<\/strong> <\/p>\r\n <\/p>\r\n Kamera, klapka\u2026 Hole\u0161ovice se ale na mapu filmov\u00fdch m\u00edst v\u00fdrazn\u011b zapsaly ji\u017e d\u0159\u00edve. Kdy\u017e hollywoodsk\u00fd \u0161t\u00e1b hledal lokaci, kde by mohl postavit kulisy var\u0161avsk\u00e9 zoologick\u00e9 zahrady pro film \u00dakryt v\u00a0zoo (2017), necestoval do Polska, ale usadil se v\u00a0tehdy je\u0161t\u011b m\u00edrn\u011b nehostinn\u00e9 \u010d\u00e1sti are\u00e1lu pra\u017esk\u00e9ho V\u00fdstavi\u0161t\u011b. Vzpomenout m\u016f\u017eeme tak\u00e9 \u00fasp\u011b\u0161nou francouzskou komedii L\u00e1ska bez bari\u00e9r (2018), v\u00a0n\u00ed\u017e restaurace na terase\u00a0Hanavsk\u00e9ho pavilonu vytvo\u0159ila romantick\u00e9 prost\u0159ed\u00ed pro \u00fast\u0159edn\u00ed filmovou dvojici.<\/p>\r\n Jako kulisa poslou\u017eily Hole\u0161ovice nejen \u0159ad\u011b zn\u00e1m\u011bj\u0161\u00edch, ale i\u00a0pro \u010desk\u00e9ho div\u00e1ka utajen\u00fdch n\u011bmeck\u00fdch film\u016f a\u00a0seri\u00e1l\u016f. Pro nat\u00e1\u010den\u00ed osmid\u00edln\u00e9ho seri\u00e1lu podle slavn\u00e9ho p\u0159\u00edb\u011bhu My d\u011bti ze stanice Zoo si n\u011bmeck\u00fd \u0161t\u00e1b vybral ulice Vina\u0159sk\u00e1 a\u00a0Veverkova, projekt Kranke Gesch\u00e4fte si k\u00a0nasn\u00edm\u00e1n\u00ed koncertu kapely Depeche Mode zvolil hokejovou ar\u00e9nu na V\u00fdstavi\u0161ti. Producenti si na Sedmi\u010dce nejv\u00edce cen\u00ed atmosf\u00e9ry r\u016fzn\u00fdch z\u00e1kout\u00ed, kter\u00e1 p\u0159i tro\u0161e \u00fasil\u00ed architekt\u016f a\u00a0rekvizit\u00e1\u0159\u016f mohou p\u0159ipom\u00ednat N\u011bmecko p\u0159ed p\u00e1dem Berl\u00ednsk\u00e9 zdi.<\/p>\r\n Ve Veletr\u017e\u00e1ku jako doma <\/p>","protected":false},"excerpt":{"rendered":"[perex] Kulisy Prahy l\u00e1kaj\u00ed filma\u0159e st\u00e1le v\u00edce. Val\u00ed se k\u00a0n\u00e1m dal\u0161\u00ed a\u00a0dal\u0161\u00ed \u0161t\u00e1by zahrani\u010dn\u00edch produkc\u00ed, kter\u00e9 zde cht\u011bj\u00ed nat\u00e1\u010det filmy nebo dnes tolik popul\u00e1rn\u00ed seri\u00e1ly a\u00a0minis\u00e9rie. Je jen ot\u00e1zkou \u010dasu, kdy n\u011bkter\u00fd sv\u00fdm rozsahem z\u00e1boru p\u0159ekon\u00e1 o\u010dek\u00e1van\u00fd kasovn\u00ed trh\u00e1k The Gray Man. Ten za\u010d\u00e1tkem lo\u0148sk\u00e9ho l\u00e9ta vzbudil krom\u011b z\u00e1jmu m\u00e9di\u00ed i\u00a0emoce a\u00a0debatu. \u010c\u00edm je omezen\u00ed […]","protected":false},"author":76,"featured_media":54857,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[37],"tags":[],"_links":{"self":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/54856"}],"collection":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/comments?post=54856"}],"version-history":[{"count":8,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/54856\/revisions"}],"predecessor-version":[{"id":54867,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/54856\/revisions\/54867"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media\/54857"}],"wp:attachment":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media?parent=54856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/categories?post=54856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/tags?post=54856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\r\nHostit nat\u00e1\u010den\u00ed p\u0159edev\u0161\u00edm velk\u00fdch projekt\u016f je bezesporu p\u0159\u00ednosn\u00e9 pro lok\u00e1ln\u00ed ekonomiku. T\u0159eba u\u017e jen proto, \u017ee \u0161t\u00e1by plat\u00ed za hotely nebo pron\u00e1jmy. St\u011b\u017eovat si nemohou ani filmov\u00ed profesion\u00e1lov\u00e9, kte\u0159\u00ed maj\u00ed v\u00a0dob\u011b boomu velk\u00fdch filmov\u00fdch projekt\u016f o\u00a0pr\u00e1ci postar\u00e1no. \u201eNa filmov\u00e9m pr\u016fmyslu je z\u00e1sadn\u00ed jeho\u00a0p\u0159esah, skute\u010dnost, \u017ee m\u016f\u017ee j\u00edt o\u00a0um\u011bn\u00ed, kter\u00e9\u00a0m\u00e1 ekonomick\u00fd p\u0159\u00ednos pro m\u00edsto nat\u00e1\u010den\u00ed.\u00a0A\u00a0to nejen ve f\u00e1zi nat\u00e1\u010den\u00ed, kdy filma\u0159i plat\u00ed za slu\u017eby, ale taky n\u00e1sledn\u011b. Pokud je film, seri\u00e1l\u00a0nebo reklama \u00fasp\u011b\u0161n\u00e1, dok\u00e1\u017ee v\u00fdznamn\u011b podpo\u0159it i\u00a0p\u0159\u00edliv turist\u016f, kte\u0159\u00ed plat\u00ed za ubytovac\u00ed za\u0159\u00edzen\u00ed, restaurace, n\u00e1v\u0161t\u011bvy galeri\u00ed a\u00a0pam\u00e1tek,\u201c \u0159\u00edk\u00e1 Pavl\u00edna \u017dipkov\u00e1 z\u00a0\u010cesk\u00e9 filmov\u00e9 komise<\/a>.<\/p>\r\n![\"\"](\"https:\/\/www.praha7.cz\/wp-content\/uploads\/2022\/02\/20210408-DSC_9090-600x400.jpg\")
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\r\nJsou to z\u00e1bory, kter\u00e9 p\u0159in\u00e1\u0161ej\u00ed finance do rozpo\u010dt\u016f jednotliv\u00fdch m\u011bstsk\u00fdch \u010d\u00e1st\u00ed. Filmov\u00e9 a\u00a0televizn\u00ed \u0161t\u00e1by plat\u00ed za z\u00e1bor ulic deset korun za metr \u010dtvere\u010dn\u00ed denn\u011b, co\u017e je pevn\u011b d\u00e1no vyhl\u00e1\u0161kou velk\u00e9 Prahy. \u017d\u00e1dn\u00e1 m\u011bstsk\u00e1 \u010d\u00e1st nesm\u00ed vyb\u00edrat v\u00edc. Filmov\u00e9 \u0161t\u00e1by ale \u010dasto nad r\u00e1mec t\u011bchto poplatk\u016f nab\u00edzej\u00ed jednotliv\u00fdm \u010dtvrt\u00edm finan\u010dn\u00ed dary na zlep\u0161en\u00ed \u017eivota v\u00a0m\u00edstech, kde to\u010d\u00ed. Nap\u0159\u00edklad s\u00a0produkc\u00ed filmu The Gray Man se radnice Prahy 7 dohodla na \u010d\u00e1stce p\u016fl milionu korun nad r\u00e1mec standardn\u00edch poplatk\u016f. Praha 7 v\u00a0roce 2021 dohromady za 82 z\u00e1bor\u016f pro filmov\u00e9 nat\u00e1\u010den\u00ed vybrala m\u00edstn\u00ed poplatky ve v\u00fd\u0161i 3 273 100 K\u010d, co\u017e je trojn\u00e1sobek \u010d\u00e1stky vybran\u00e9 v\u00a0roce 2015. Z\u00edskan\u00e9 prost\u0159edky putuj\u00ed do rozpo\u010dtu m\u011bstsk\u00e9 \u010d\u00e1sti. V\u00fdt\u011b\u017eek od filma\u0159\u016f radnice vyu\u017e\u00edv\u00e1 na opravy chodn\u00edk\u016f, rekonstrukce p\u0159echod\u016f a\u00a0dal\u0161\u00ed \u00fapravy dopravn\u00ed infrastruktury a\u00a0rozvoj ob\u010dansk\u00e9 vybavenosti.<\/p>\r\n
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\r\n<\/strong>Vybrat prost\u0159ed\u00ed, ve kter\u00e9m se nat\u00e1\u010dej\u00ed filmy nebo seri\u00e1ly, je velk\u00e9 um\u011bn\u00ed. Hled\u00e1n\u00ed exteri\u00e9r\u016f, ale i\u00a0interi\u00e9r\u016f, je\u017e se nedaj\u00ed jen tak postavit ve studiu, je ka\u017edodenn\u00ed n\u00e1pln\u00ed pr\u00e1ce loka\u010dn\u00edho mana\u017eera. O\u00a0sv\u00e9 zku\u0161enosti se s\u00a0n\u00e1mi pod\u011blil Marek \u0158\u00eddel ze spole\u010dnosti Film Makers<\/a>. Mezi v\u00fdrazn\u00e9 po\u010diny t\u00e9to spole\u010dnosti pat\u0159\u00ed nap\u0159\u00edklad \u010desk\u00e9 hity Z\u00e1topek \u010di Havel, seri\u00e1ly Hanna a\u00a0Spy City nebo hv\u011bzdn\u011b obsazen\u00e9 filmy Zran\u011bn\u00e1 srdce a\u00a0Anthropoid.<\/p>\r\n
\r\nTo z\u00e1le\u017e\u00ed na \u0159ad\u011b aspekt\u016f: jak\u00e9 je zad\u00e1n\u00ed, o\u00a0jak\u00fd druh nat\u00e1\u010den\u00ed se jedn\u00e1 \u2013 jestli jde o\u00a0hudebn\u00ed spot, reklamu, nebo film \u010di seri\u00e1l. Na za\u010d\u00e1tku je v\u017edy po\u017eadavek, zad\u00e1n\u00ed. Re\u017eis\u00e9r nebo architekt ji\u017e maj\u00ed svoji p\u0159edstavu o\u00a0lokaci, potom n\u00e1s producent popt\u00e1. Do rukou dostanu sc\u00e9n\u00e1\u0159 nebo referen\u010dn\u00ed fotografie, pak za\u010d\u00edn\u00e1 hled\u00e1n\u00ed. M\u00e1me vlastn\u00ed neve\u0159ejnou datab\u00e1zi lokac\u00ed, tak\u017ee se nejprve d\u00edv\u00e1m tam, p\u0159\u00edpadn\u011b prov\u00e1d\u00edm dal\u0161\u00ed pr\u016fzkum, kdy dohled\u00e1v\u00e1m to, co v\u00a0datab\u00e1zi nenajdu. Snaz\u0161\u00ed to je samoz\u0159ejm\u011b v\u00a0p\u0159\u00edpad\u011b, kdy je zad\u00e1n\u00ed ji\u017e konkr\u00e9tn\u00ed\u00a0\u2013 t\u0159eba N\u00e1rodn\u00ed technick\u00e9 muzeum. Pak p\u0159iprav\u00edme nab\u00eddku a\u00a0tu pos\u00edl\u00e1me zadavateli.<\/p>\r\n
\r\nJe to n\u00e1\u0161 ka\u017edodenn\u00ed chleba. Centrum Prahy, n\u00e1b\u0159e\u017e\u00ed, N\u00e1rodn\u00ed divadlo, takov\u00e9 lokace se opakuj\u00ed st\u00e1le dokola. Ale pak b\u00fdvaj\u00ed po\u017eadavky typu: neopraven\u00e1 zpustl\u00e1 vila se zahradou, odlehl\u00e1 funkcionalistick\u00e1 stavba u\u00a0lesa nebo t\u0159eba most, ze kter\u00e9ho je mo\u017en\u00e9 shodit auto. Prost\u011b co v\u00e1s napadne. Po\u0159\u00e1d pot\u0159ebujete hledat nov\u00e1 m\u00edsta. Pro nat\u00e1\u010den\u00ed v\u00a0Praze se stala nepostradatelnou Letensk\u00e1 pl\u00e1\u0148, ne proto, \u017ee by se zde n\u011bco tak \u010dasto to\u010dilo, ale proto\u017ee se jedn\u00e1 o\u00a0jedno z\u00a0m\u00e1la m\u00edst v\u00a0centru metropole, kde je mo\u017en\u00e9 zaparkovat filmovou techniku.<\/p>\r\n
\r\nKdy\u017e u\u017e m\u00e1m potvrzenou lokaci, je t\u0159eba zajistit v\u0161echna povolen\u00ed a\u00a0ohl\u00e1\u0161ky. To je samoz\u0159ejm\u011b daleko jednodu\u0161\u0161\u00ed, pokud se jedn\u00e1 o\u00a0soukrom\u00fd are\u00e1l. V\u00a0p\u0159\u00edpad\u011b, \u017ee jde o\u00a0ve\u0159ejnou komunikaci, nejprve p\u0159iprav\u00edm dopravn\u011b in\u017een\u00fdrsk\u00fd projekt \u2013 je to takov\u00fd situa\u010dn\u00ed pl\u00e1nek, kde vyzna\u010d\u00edm rozm\u011bry z\u00e1boru, v\u00a0p\u0159\u00edpad\u011b z\u00e1sahu do vozovky dopln\u00edm n\u00e1vrh dopravn\u00edho zna\u010den\u00ed a\u00a0podobn\u011b. S\u00a0n\u00edm jdu na p\u0159\u00edslu\u0161n\u00fd odbor dopravy, kde pot\u0159ebuji z\u00edskat n\u011bco jako p\u0159edb\u011b\u017en\u00fd souhlas s\u00a0akc\u00ed. Pak zam\u00ed\u0159\u00edm za vlastn\u00edkem komunikace, co\u017e je pov\u011bt\u0161inou Technick\u00e1 spr\u00e1va komunikac\u00ed. S\u00a0n\u00edm je nutn\u00e9 uzav\u0159\u00edt n\u00e1jemn\u00ed smlouvu. Sou\u010dasn\u011b je\u0161t\u011b pot\u0159ebuji m\u00edt souhlas od policie nebo dal\u0161\u00ed doklady podle specifi\u010dnosti m\u00edsta (Dopravn\u00ed podnik a\u00a0podobn\u011b). Nakonec se vrac\u00edm na odbor dopravy, kter\u00fd vyd\u00e1v\u00e1 fin\u00e1ln\u00ed rozhodnut\u00ed. To je dobr\u00e9 m\u00edt minim\u00e1ln\u011b 14 dn\u00ed p\u0159ed nat\u00e1\u010den\u00edm \u2013 stejn\u011b jako uhrazen\u00e9 platby: TSK se plat\u00ed 10 korun za metr \u010dtvere\u010dn\u00ed a\u00a0za ka\u017ed\u00fd den z\u00e1boru, stejn\u00e1 \u010d\u00e1stka se hrad\u00ed jako m\u00edstn\u00ed poplatek m\u011bstsk\u00e9 \u010d\u00e1sti. D\u016fle\u017eit\u00e9 je tak\u00e9 sledovat, jak \u010dasto se v\u00a0dan\u00e9 lokalit\u011b nat\u00e1\u010d\u00ed, proto\u017ee jedn\u00edm z\u00a0d\u016fvod\u016f pro zam\u00edtnut\u00ed \u017e\u00e1dosti o\u00a0z\u00e1bor je fakt, \u017ee se tam filmovalo ned\u00e1vno.<\/p>\r\n
\r\nTo je pravda a\u00a0jejich rozlad\u011bn\u00ed dok\u00e1\u017eu pochopit. Krom\u011b sumy za z\u00e1bory se n\u011bkde za\u010d\u00edn\u00e1 vyb\u00edrat je\u0161t\u011b platba nazvan\u00e1 dar do bezpe\u010dnostn\u00edho fondu, kter\u00e1 by m\u011bla v\u00edce kompenzovat omezen\u00ed zp\u016fsoben\u00e1 filma\u0159i. Nap\u0159\u00edklad kdy\u017e se jedn\u00e1 o\u00a0skute\u010dn\u011b velk\u00fd z\u00e1bor nebo se nat\u00e1\u010d\u00ed v\u00a0noci. B\u011b\u017en\u00e9 jsou i\u00a0p\u0159\u00edm\u00e9 dary do kasy m\u011bstsk\u00fdm \u010d\u00e1stem, takov\u00e9 \u201ebolestn\u00e9\u201c. S\u00a0lidmi, kter\u00fdch se omezen\u00ed t\u00fdk\u00e1, se sna\u017e\u00edme komunikovat. Kdy\u017e z\u00e1bor za\u0159izuji j\u00e1, tak najdete moje telefonn\u00ed \u010d\u00edslo na zadn\u00ed stran\u011b dopravn\u00edho zna\u010den\u00ed. Sem tam mi n\u011bkdo vynad\u00e1, s\u00a0jin\u00fdmi lidmi se d\u00e1 domluvit \u2013 volaj\u00ed, ptaj\u00ed se. V\u011bt\u0161inou \u0159e\u0161\u00edme n\u00e1hradn\u00ed parkov\u00e1n\u00ed \u2013 v\u00a0p\u0159\u00edpad\u011b Prahy 7 zaji\u0161\u0165ujeme parking t\u0159eba na V\u00fdstavi\u0161ti, Letensk\u00e9 pl\u00e1ni nebo v\u00a0pozemn\u00edch gar\u00e1\u017e\u00edch u\u00a0tunelu Blanka. M\u00edstn\u00ed se sna\u017e\u00edme informovat tak\u00e9 v\u00fdlepem dopisu na vchody dot\u010den\u00fdch dom\u016f \u2013 ob\u010das jej n\u011bkdo strhne a\u00a0roz\u010dilen\u00edm zahod\u00ed. Ale jinak i\u00a0tahle forma komunikace funguje docela dob\u0159e.<\/p>\r\n
\r\nM\u016f\u017ee to b\u00fdt nevd\u011b\u010dn\u00e1 pozice. Mus\u00edte zn\u00e1t tak\u00e9 filma\u0159e, pro kter\u00e9 zrovna pracujete. D\u00e1t jim taktn\u011b na srozum\u011bnou, \u017ee t\u0159eba v\u00a0deset ve\u010der je konec a\u00a0d\u00e1l u\u017e se prost\u011b neto\u010d\u00ed. Nebo \u017ee nen\u00ed mo\u017en\u00e9 nat\u00e1\u010det za rohem, kde u\u017e z\u00e1bor neplat\u00ed. N\u011bkdy to je obt\u00ed\u017en\u00e9 \u2013 ve filmu se to\u010d\u00ed hodn\u011b pen\u011bz a\u00a0ka\u017ed\u00e1 vte\u0159ina nato\u010den\u00e9ho materi\u00e1lu je drah\u00e1. Je tedy nutn\u00e9 ko\u010d\u00edrovat i\u00a0filma\u0159e a\u00a0chovat se podle toho, co m\u00e1me vyjednan\u00e9. To se n\u00e1m m\u016f\u017ee jedin\u011b vyplatit, kdy\u017e se na danou lokaci budeme cht\u00edt v\u00a0budoucnu vr\u00e1tit.<\/p>\r\n![\"\"](\"https:\/\/www.praha7.cz\/wp-content\/uploads\/2022\/02\/20210408-DSC_8967-600x400.jpg\")
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\r\n<\/strong>V\u00a0lo\u0148sk\u00e9m roce nat\u00e1\u010dela v\u00a0Praze \u0159ada zahrani\u010dn\u00edch produkc\u00ed a\u00a0n\u011bkter\u00e9 z\u00a0nich si vyhl\u00e9dly i\u00a0sedmou m\u011bstskou \u010d\u00e1st. Re\u017eis\u00e9r Johan Renck, proslaven\u00fd seri\u00e1lem \u010cernobyl, zde p\u0159ipravoval sn\u00edmek s\u00a0Adamem Sandlerem, jen\u017e je adaptac\u00ed knihy Kosmonaut z\u00a0\u010cech Jaroslava Kalfa\u0159e. Streamovac\u00ed platforma Amazonu zase v\u00a0\u010cesku utratila miliardy korun p\u0159i nat\u00e1\u010den\u00ed dal\u0161\u00ed \u0159ady popul\u00e1rn\u00edho Carnival Row s\u00a0Orlandem Bloomem a\u00a0Carou Delevingneovou, jejich\u017e karavana se na p\u00e1r dn\u00ed zastavila i\u00a0v\u00a0Pra\u017esk\u00e9 tr\u017enici. Nejv\u00edc se ov\u0161em mluvilo o\u00a0dosud nejdra\u017e\u0161\u00edm projektu spole\u010dnosti Netflix
\r\nThe Gray Man. Za\u010d\u00e1tkem letn\u00edch pr\u00e1zdnin se z\u00a0t\u0159\u00eddy Dukelsk\u00fdch hrdin\u016f stala filmov\u00e1 kulisa pro automobilovou honi\u010dku, p\u0159i n\u00ed\u017e se ulicemi Letn\u00e9 nesla st\u0159elba a\u00a0sk\u0159\u00edp\u011bn\u00ed brzd a\u00a0nejeden filmov\u00fd fanou\u0161ek se sna\u017eil alespo\u0148 na moment zahl\u00e9dnout sv\u011btovou hv\u011bzdu Ryana Goslinga.<\/p>\r\n
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\r\n<\/strong>Tuzem\u0161t\u00ed producenti si ji\u017e \u0159adu let pod\u00e1vaj\u00ed dve\u0159e ve Veletr\u017en\u00edm pal\u00e1ci. S\u00eddl\u00ed zde St\u00e1tn\u00ed fond kinematografie, kter\u00fd zaji\u0161\u0165uje jak podporu dom\u00e1c\u00ed kinematografii, tak administruje a poskytuje filmov\u00e9 pob\u00eddky. Jedn\u00e1 se bezesporu o nejd\u016fle\u017eit\u011bj\u0161\u00ed filmovou instituci na na\u0161em \u00fazem\u00ed, bez kter\u00e9 by byl \u010desk\u00fd film po v\u0161ech str\u00e1nk\u00e1ch chud\u0161\u00ed. U\u017e jen proto, \u017ee ka\u017ed\u00fd rok rozd\u011bluje miliony korun na pomoc filmov\u00e9mu pr\u016fmyslu. Od 1. \u00fanora 2017 se sou\u010d\u00e1st\u00ed fondu staly organizace Czech Film Center a Czech Film Commission, kter\u00e9 tak roz\u0161\u00ed\u0159ily \u00falohy a aktivity fondu o propagaci \u010desk\u00e9ho filmu a filmov\u00e9ho pr\u016fmyslu v\u00a0zahrani\u010d\u00ed. www.fondkinematografie.cz<\/a> | www.filmcommission.cz<\/a> | www.filmcenter.cz<\/a><\/p>\r\n