{"id":42212,"date":"2020-09-30T12:20:23","date_gmt":"2020-09-30T10:20:23","guid":{"rendered":"https:\/\/www.praha7.cz\/?p=42212"},"modified":"2020-09-30T12:20:24","modified_gmt":"2020-09-30T10:20:24","slug":"sochar-pod-lavinou","status":"publish","type":"post","link":"https:\/\/www.praha7.cz\/sochar-pod-lavinou\/","title":{"rendered":"Socha\u0159 pod lavinou"},"content":{"rendered":"

[perex]<\/p>\r\n

Asi p\u0159ed rokem jsem u domu, kde bydl\u00edm, uvid\u011bla skupinu lid\u00ed. St\u00e1li p\u0159\u00edmo na rohu ulic Letohradsk\u00e1 a\u00a0Nad \u0160tolou a\u00a0jejich pr\u016fvodce ukazoval p\u0159es ulici na gymn\u00e1zium, jmenoval architekta \u0161koly Karla Poli\u010dansk\u00e9ho a\u00a0tak\u00e9 Valeriana Karou\u0161ka, tv\u016frce plastiky, kter\u00e1 kr\u00e1\u0161l\u00ed roh budovy gymn\u00e1zia. Pr\u00e1v\u011b smutn\u00fd osud socha\u0159e, jeho\u017e d\u00edlo m\u016f\u017eeme na Sedmi\u010dce dodnes obdivovat, je n\u00e1m\u011btem tohoto \u010dl\u00e1nku.<\/p>\r\n

[\/perex]<\/p>\r\n

Valerian \u201eRi\u0161\u00edk\u201c Karou\u0161ek (t\u0159et\u00ed zleva na fotografii 1) p\u0159i p\u0159echodu Tater, zima 1955.\u00a0Fotografie poch\u00e1z\u00ed z\u00a0archivu\u00a0Vil\u00e9ma Heckela, talentovan\u00e9ho fotografa\u00a0a\u00a0horolezce, kter\u00fd takt\u00e9\u017e zahynul\u00a0<\/em><\/em>p\u0159i expedici do Peru<\/em><\/p>\r\n

 <\/p>\r\n

Valerian Karou\u0161ek se narodil 31.\u00a0ledna\u00a01929 v\u00a0Turnov\u011b. Nejprve se u\u010dil z\u00e1me\u010dn\u00edkem\u00a0v\u00a0Mlad\u00e9 Boleslavi, v\u00a0roce 1943 se rozhodl pro studium na \u0161perka\u0159sk\u00e9 \u0161kole v\u00a0Turnov\u011b. V\u00a0letech 1945 a\u017e 1946 pak pokra\u010doval na Odborn\u00e9\u00a0um\u011blecko-pr\u016fmyslov\u00e9 \u0161kole v\u00a0Jablonci nad Nisou. Jeho z\u00e1liba v\u00a0kreslen\u00ed, malov\u00e1n\u00ed a\u00a0voln\u00e9m modelov\u00e1n\u00ed a\u00a0samoz\u0159ejm\u011b jeho talent jej n\u00e1sledn\u011b p\u0159ivedly ke studiu na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze, kam na z\u00e1klad\u011b ud\u011blen\u00e9ho dispenzu za\u010dal doch\u00e1zet ji\u017e ve\u00a0sv\u00fdch 17 letech. Pracoval p\u0159edev\u0161\u00edm v\u00a0ateli\u00e9ru\u00a0profesora Jana Laudy, spolu se spolu\u017e\u00e1ky Hugem Demartinim, Ji\u0159\u00edm Nov\u00e1kem, Franti\u0161kem Pac\u00edkem a\u00a0Josefem Klime\u0161em, a\u00a0absolvoval jako jeden z\u00a0nejmlad\u0161\u00edch student\u016f.<\/p>\r\n

\u00dasp\u011b\u0161n\u00fd um\u011blec<\/strong>
\r\nOd roku 1957 byl Valerian Karou\u0161ek \u010dlenem\u00a0skupiny M 57 tvo\u0159en\u00e9 p\u0159edev\u0161\u00edm z\u00a0absolvent\u016f AVU, v\u010detn\u011b jeho bratra, v\u00fdtvarn\u00edka Ladislava\u00a0Karou\u0161ka (17.\u00a0z\u00e1\u0159\u00ed\u00a01926, Turnov\u00a0\u2013 22.\u00a0b\u0159ezna 1991, Praha). Ve sv\u00e9m um\u011bleck\u00e9m projevu se Valerian za\u010dal v\u00a050. letech odvol\u00e1vat na Otto Gutfreunda a\u00a0ve sv\u00fdch polychromn\u00edch soch\u00e1ch na socha\u0159sk\u00e9 um\u011bn\u00ed star\u00e9ho Mexika.<\/p>\r\n

V\u011bnoval se hled\u00e1n\u00ed modern\u00edch socha\u0159sk\u00fdch\u00a0technik spojen\u00fdch s\u00a0vyu\u017eit\u00edm netradi\u010dn\u00edch materi\u00e1l\u016f, jako byla mont\u00e1\u017e dvou r\u016fzn\u00fdch materi\u00e1l\u016f se skute\u010dn\u00fdmi p\u0159edm\u011bty, nap\u0159\u00edklad s\u00a0laminovan\u00fdm textilem. V\u00a0roce 1958 p\u0159edstavil po boku sv\u00e9ho u\u010ditele profesora Jana Laudy a\u00a0dal\u0161\u00edch osobnost\u00ed z\u00a0\u0159ad \u010desk\u00fdch socha\u0159\u016f sv\u00e9 plastiky na sv\u011btov\u00e9 v\u00fdstav\u011b Expo 58 v\u00a0Bruselu. Kolem roku 1960 jeho tvorba\u00a0dozr\u00e1la k\u00a0abstraktn\u011bj\u0161\u00edmu v\u00fdtvarn\u00e9mu projevu. V\u00a0roce 1963 se \u00fasp\u011b\u0161n\u011b z\u00fa\u010dastnil t\u0159et\u00edho Pa\u0159\u00ed\u017esk\u00e9ho bien\u00e1le, kde z\u00edskal \u010destn\u00e9 uzn\u00e1n\u00ed za siln\u011b stylizovanou sochu Kladiv\u00e1\u0159.<\/p>\r\n

V\u00a0roce 1961 ozdobil tehdej\u0161\u00ed \u201eFu\u010d\u00edk\u00e1rnu\u201c, jak se p\u0159ezd\u00edvalo are\u00e1lu V\u00fdstavi\u0161t\u011b, sochou Gymnastka, kter\u00e1 se ale bohu\u017eel nezachovala. Na Sedmi\u010dce v\u0161ak Karou\u0161ek i\u00a0tak zanechal stopu. N\u011bkolik m\u011bs\u00edc\u016f po otev\u0159en\u00ed nov\u00e9 budovy Gymn\u00e1zia Nad \u0160tolou v\u00a0z\u00e1\u0159\u00ed\u00a01963 vytvo\u0159il reli\u00e9f Zem\u011b a\u00a0Slunce, jen\u017e je na \u0161kole k\u00a0vid\u011bn\u00ed dodnes. Podle socha\u0159e Pavla Karouse, kter\u00fd stoj\u00ed za projektem Vet\u0159elci a\u00a0volavky, se jedn\u00e1 o\u00a0dv\u011b d\u00edvky. Setkala jsem se v\u0161ak i\u00a0s\u00a0n\u00e1zorem, \u017ee plastika zn\u00e1zor\u0148uje matku, je\u017e sv\u00e9 dce\u0159i ukazuje vchod do \u0161koly. Na plastice jsou n\u011bkter\u00e9 plochy vykl\u00e1dan\u00e9 mal\u00fdmi kam\u00ednky, co\u017e by mohlo ukazovat na Karou\u0161k\u016fv p\u016fvodn\u00ed obor\u00a0\u2013 \u0161perka\u0159stv\u00ed. Postupn\u011b se autor propracoval i\u00a0k\u00a0technice, kter\u00e1 se nejv\u00edce p\u0159ibli\u017eovala jeho \u017eivotn\u00edmu stylu, kdy\u017e do plastik\u00a0vsazoval kamenn\u00e9 valouny z\u00a0horsk\u00fdch potok\u016f vyhlazen\u00e9 p\u016fsoben\u00edm vody, jak m\u016f\u017eeme vid\u011bt\u00a0nap\u0159\u00edklad na plastik\u00e1ch Kytarista (1968) nebo\u00a0Venu\u0161e (1969).<\/p>\r\n

\"\"<\/a>
\r\nKarou\u0161kova socha Gymnastka, kter\u00e1 od roku 1961 zdobila tehdej\u0161\u00ed Park kultury a\u00a0oddechu Julia Fu\u010d\u00edka (dnes V\u00fdstavi\u0161t\u011b), se bohu\u017eel nezachovala<\/em><\/p>\r\n

 <\/p>\r\n

U\u017e jako mal\u00fd m\u011bl toti\u017e Valerian Karou\u0161ek bl\u00edzko k\u00a0p\u0159\u00edrod\u011b. Asi od sv\u00fdch jeden\u00e1cti let se seznamoval s\u00a0horolezeck\u00fdmi technikami ve Skal\u00e1ku na Hruboskalsku. Jeho l\u00e1ska k\u00a0horolezectv\u00ed se prohloubila do t\u00e9 m\u00edry, \u017ee dos\u00e1hl reprezenta\u010dn\u00ed \u00farovn\u011b a\u00a0od 60. let se z\u00fa\u010dastnil \u0159ady expedic, nap\u0159\u00edklad na Kavkaz \u010di do Gruzie. Ri\u0161\u00edk, jak mu mezi horolezci \u0159\u00edkali, se v\u00a0roce 1970 stal \u010dlenem horolezeck\u00e9 expedice do Peru. Tu v\u0161ak prov\u00e1zela \u0159ada nep\u0159\u00edjemn\u00fdch ud\u00e1lost\u00ed\u00a0\u2013 nejprve byly rozkradeny \u010d\u00e1sti jej\u00ed v\u00fdstroje a\u00a0z\u00e1soby, kter\u00e9 si horolezci poslali nap\u0159ed lod\u00ed, pak v\u0161echny zas\u00e1hla smrt kamar\u00e1da a\u00a0\u010dlena expedice Ivana Bortela, kter\u00fd se 18.\u00a0kv\u011btna z\u0159\u00edtil do 30metrov\u00e9 propasti. Jako by to bylo n\u011bjak\u00e9 varov\u00e1n\u00ed: Okam\u017eit\u011b odje\u010fte, co kdy\u017e p\u0159ijde je\u0161t\u011b n\u011bco do t\u0159etice\u2026? Neodjeli a\u00a0jejich odchod byl rychl\u00fd, ne\u010dekan\u00fd, stra\u0161n\u00fd.<\/p>\r\n

Zem\u011b se zachv\u011bla<\/strong>
\r\n31.\u00a0kv\u011btna\u00a01970 v\u00a08:23 SE\u010c postihlo Latinskou Ameriku nejrozs\u00e1hlej\u0161\u00ed zn\u00e1m\u00e9 zem\u011bt\u0159esen\u00ed, je\u017e tehdy zas\u00e1hlo na z\u00e1padn\u00edm pob\u0159e\u017e\u00ed \u00fazem\u00ed o\u00a0rozloze 450 kr\u00e1t 200 kilometr\u016f. Nejv\u00edc posti\u017eenou zem\u00ed bylo Peru. P\u0159i katastrof\u011b bylo 50 tis\u00edc lid\u00ed zran\u011bno a\u00a070 tis\u00edc lid\u00ed v\u010detn\u011b patn\u00e1cti\u010dlenn\u00e9 v\u00fdpravy \u010deskoslovensk\u00fdch horolezc\u016f a\u00a0jejich peru\u00e1nsk\u00e9ho pr\u016fvodce zem\u0159elo. V\u0161ichni byli poh\u0159beni pod obrovskou masou 50 milion\u016f metr\u016f krychlov\u00fdch ledu, sn\u011bhu, kamen\u00ed a\u00a0bahna, kter\u00e9 po cest\u011b lavina nasb\u00edrala. Zachytila i\u00a0\u010deskoslovensk\u00fd t\u00e1bor a\u00a0vytvo\u0159ila nad n\u00edm 60 metr\u016f vysokou vrstvu, poh\u0159bila i\u00a020 tis\u00edc obyvatel m\u011bste\u010dek Yungay a\u00a0Huaraz. Zachr\u00e1nilo se jen asi 400 lid\u00ed.<\/p>\r\n

Ot\u0159esy v\u00a0s\u00edle 7,9 stupn\u011b Richterovy \u0161k\u00e1ly za\u010daly v\u00a014:23 m\u00edstn\u00edho \u010dasu. Trvalo jen dv\u011b minuty, ne\u017e se lavina ze severn\u00ed strany nejvy\u0161\u0161\u00ed hory Peru a\u00a0\u010dtvrt\u00e9 nejvy\u0161\u0161\u00ed hory Ji\u017en\u00ed Ameriky Huascar\u00e1nu (6768 m) sesula rychlost\u00ed 280 kilometr\u016f za hodinu o\u00a02500 v\u00fd\u0161kov\u00fdch metr\u016f po dvacetikilometrov\u00e9 dr\u00e1ze. Zem\u011b se ot\u0159\u00e1sla. \u201eStrnuli jsme hr\u016fzou. Tam, kde se je\u0161t\u011b p\u0159ed chv\u00edl\u00ed t\u0159epotala nad stany \u010dervenomodrob\u00edl\u00e1 vlajka, bylo vid\u011bt jen pust\u00e9 kamenn\u00e9 mo\u0159e\u2026 Poklepem na balvany a\u00a0kusy ledu jsme zkoumali, zda pod t\u00edmto krun\u00fd\u0159em nen\u00ed n\u011bkde zn\u00e1mka \u017eivota. Museli jsme se sm\u00ed\u0159it s\u00a0t\u00edm, \u017ee po na\u0161ich p\u0159\u00e1tel\u00edch nez\u016fstala ani stopa,\u201c vypov\u011bd\u011bl bezprost\u0159edn\u011b po sesuvu Tooru Sasaki, \u0161\u00e9f japonsk\u00e9 expedice, kter\u00e1 t\u00e1bo\u0159ila na dohled od \u010deskoslovensk\u00fdch horolezc\u016f.<\/p>\r\n

Zaj\u00edmav\u00fdm a\u00a0j\u00edmav\u00fdm detailem tehdej\u0161\u00edch ud\u00e1lost\u00ed byl i\u00a0fakt, \u017ee s\u00e1m Valerian Karou\u0161ek p\u0159ed odletem na peru\u00e1nskou v\u00fdpravu navrhl, aby po vzoru h\u0159bitova horolezc\u016f ve Vysok\u00fdch Tatr\u00e1ch vznikl h\u0159bitov ve Skal\u00e1ku pro m\u00edstn\u00ed horolezce. S\u00a0ohledem na jeho osud naskakuje z\u00a0toho hus\u00ed k\u016f\u017ee. Valerian Karou\u0161ek zem\u0159el v\u00a0Peru ve v\u011bku 41 let. \u201e\u0160\u00ed\u0159il kolem sebe pocit bezpe\u010d\u00ed, opl\u00fdval omra\u010duj\u00edc\u00ed energi\u00ed, invenc\u00ed, odvahou, vtipem, citem, okouzlen p\u0159\u00edrodou, obda\u0159en bezchybnou orientac\u00ed a\u00a0fyzick\u00fdm p\u0159edpokladem pro tvrd\u00e9 p\u0159\u00edrodn\u00ed i\u00a0pracovn\u00ed podm\u00ednky. Prostor dovedl naplnit vitalitou a\u00a0vzruchem,\u201c zavzpom\u00ednala jeho man\u017eelka Viktorie Karou\u0161kov\u00e1.<\/p>\r\n

\"\"<\/a><\/p>\r\n

Karou\u0161kovy rozpracovan\u00e9 socha\u0159sk\u00e9 projekty dokon\u010dil jeho p\u0159\u00edtel a\u00a0spolu\u017e\u00e1k z\u00a0AVU Ji\u0159\u00ed Nov\u00e1k.\u00a0Na k\u0159\u00ed\u017een\u00ed ulic Lipsk\u00e9 a\u00a0Aviatick\u00e9 v\u00a0Praze 6 tak byla nap\u0159\u00edklad v\u00a0roce 1972 osazena kovov\u00e1 plastika s\u00a0n\u00e1zvem Vzlet, na n\u00ed\u017e Karou\u0161ek za\u010dal pracovat v\u00a0roce 1969. Jde o\u00a0t\u0159i prostorov\u00e1 vertik\u00e1ln\u00ed k\u0159\u00eddla, jejich\u017e dynamiku a\u00a0energii je\u0161t\u011b umoc\u0148uje lamin\u00e1tov\u00e1 koule v\u00a0jednom ze t\u0159\u00ed horn\u00edch k\u0159\u00eddel. V\u00a0sou\u010dasnosti se d\u00edlo nach\u00e1z\u00ed v\u00a0restaur\u00e1torsk\u00e9 d\u00edln\u011b a\u00a0na p\u016fvodn\u00ed m\u00edsto by m\u011blo b\u00fdt vr\u00e1ceno snad je\u0161t\u011b tento rok, kdy si p\u0159ipom\u00edn\u00e1me 50 let od trag\u00e9die v\u00a0Peru.<\/p>\r\n

Smutn\u011bj\u0161\u00ed osud potkal jin\u00e9 Karou\u0161kovo d\u00edlo\u00a0\u2013 sochu Aeskulapa, antick\u00e9ho l\u00e9ka\u0159e z\u00a013. stolet\u00ed p\u0159ed na\u0161\u00edm letopo\u010dtem, kter\u00e9ho dle legendy Zeus sp\u00e1lil bleskem za to, \u017ee se pokou\u0161el k\u0159\u00edsit i\u00a0mrtv\u00e9. Sochu pro budovu pankr\u00e1ck\u00e9 polikliniky realizoval v\u00a0roce 1973 op\u011bt Ji\u0159\u00ed Nov\u00e1k. Objekt tehdy sv\u00fdm ztv\u00e1rn\u011bn\u00edm n\u00e1padn\u011b p\u0159ipom\u00ednal ho\u0159\u00edc\u00ed monogram J. P. s\u00a0trikol\u00f3rou a\u00a0obyvatel\u00e9 Pankr\u00e1ce si z\u00a0n\u011bj zakr\u00e1tko ud\u011blali autentick\u00fd pam\u00e1tn\u00edk Jana Palacha, kam p\u0159i v\u00fdro\u010d\u00ed jeho up\u00e1len\u00ed chodili zapalovat sv\u00ed\u010dky. Autor by byl t\u00edmto v\u00fdkladem mo\u017en\u00e1 p\u0159ekvapen. Snad by jej ale t\u011b\u0161ilo v\u011bdom\u00ed, co nez\u00e1m\u011brn\u011b vyvolalo jeho d\u00edlo. Tato plastika u\u017e bohu\u017eel neexistuje, v\u00a0roce 2003 byla odstran\u011bna a\u00a0dle informac\u00ed Galerie hlavn\u00edho m\u011bsta Prahy ji ji\u017e nen\u00ed mo\u017en\u00e9 restaurovat.<\/p>\r\n

\"\"<\/a>
\r\nSocha Aeskulap, z\u00a0kter\u00e9 vznikl neofici\u00e1ln\u00ed pomn\u00edk Janu Palachovi, p\u0159e\u017eila dlouhou dobu normalizace a\u00a0z\u00a0pankr\u00e1ck\u00e9ho s\u00eddli\u0161t\u011b zmizela a\u017e v\u00a0roce 2003<\/em><\/p>\r\n

 <\/p>\r\n

Nezb\u00fdv\u00e1 ne\u017e si d\u00edlo a\u00a0osud Valeriana Karou\u0161ka stejn\u011b jako dal\u0161\u00edch horolezc\u016f z\u00a0expedice do Peru 1970, nap\u0159\u00edklad ve sv\u00e9 dob\u011b velmi zn\u00e1m\u00e9ho fotografa Vil\u00e9ma Heckela, p\u0159ipom\u00ednat jinak. Vzpom\u00ednce na ne\u0161t\u011bst\u00ed byly letos v\u011bnov\u00e1ny report\u00e1\u017ee v\u00a0televizi, rozhlase i\u00a0tisku. \u017divot a\u00a0d\u00edlo Valeriana Karou\u0161ka se staly n\u00e1m\u011btem divadeln\u00ed hry Vzlety Valeriana Karou\u0161ka, kterou napsala Tereza Vereck\u00e1 a\u00a0premi\u00e9ru m\u011bla v\u00a0roce 2016 ve Stra\u0161nick\u00e9m divadle. P\u0159ipravuje se i\u00a0film a\u00a0pam\u00e1tku ud\u00e1lost\u00ed v\u00a0Peru p\u0159ipom\u00edn\u00e1 i\u00a0podtitul slavn\u00e9ho b\u011bhu Jizersk\u00e1 pades\u00e1tka\u00a0\u2013 Memori\u00e1l expedice Peru 1970. Tento z\u00e1vod toti\u017e vznikl v\u00a0roce 1960 pr\u00e1v\u011b jako zimn\u00ed p\u0159\u00edprava horolezc\u016f a\u00a0v\u00a0roce 1970 se jej n\u011bkte\u0159\u00ed horolezci z\u00a0peru\u00e1nsk\u00e9 expedice z\u00fa\u010dastnili. \u010cest jejich pam\u00e1tce.\u00a0<\/p>\r\n

\"\"<\/a><\/p>\r\n

 <\/p>","protected":false},"excerpt":{"rendered":"[perex] Asi p\u0159ed rokem jsem u domu, kde bydl\u00edm, uvid\u011bla skupinu lid\u00ed. St\u00e1li p\u0159\u00edmo na rohu ulic Letohradsk\u00e1 a\u00a0Nad \u0160tolou a\u00a0jejich pr\u016fvodce ukazoval p\u0159es ulici na gymn\u00e1zium, jmenoval architekta \u0161koly Karla Poli\u010dansk\u00e9ho a\u00a0tak\u00e9 Valeriana Karou\u0161ka, tv\u016frce plastiky, kter\u00e1 kr\u00e1\u0161l\u00ed roh budovy gymn\u00e1zia. Pr\u00e1v\u011b smutn\u00fd osud socha\u0159e, jeho\u017e d\u00edlo m\u016f\u017eeme na Sedmi\u010dce dodnes obdivovat, je n\u00e1m\u011btem tohoto […]","protected":false},"author":76,"featured_media":42213,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[37],"tags":[],"_links":{"self":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/42212"}],"collection":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/comments?post=42212"}],"version-history":[{"count":7,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/42212\/revisions"}],"predecessor-version":[{"id":42224,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/42212\/revisions\/42224"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media\/42213"}],"wp:attachment":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media?parent=42212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/categories?post=42212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/tags?post=42212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}