[\/perex]<\/p>
Ned\u00e1vno jsem na\u00a0YouTube vid\u011bl va\u0161e \u010derstv\u00e9 vystoupen\u00ed na\u00a0Pecha Kucha Night v\u00a0kin\u011b Aero. Jako skl\u00e1\u0159 jste zn\u00e1m\u00fd velkorys\u00fdmi mozaikami a\u00a0plastikami, skoro dvacet let jste vedl ateli\u00e9r skla na\u00a0pra\u017esk\u00e9 UMPRUM, ale tady se prom\u00edtalo video z\u00a0divok\u00e9 performance pln\u00e9 roztaven\u00e9ho skla a\u00a0litr\u016f vylit\u00e9 barvy. O\u00a0co \u0161lo? <\/p>\r\n Kdy\u017e jste studoval u\u00a0Kaplick\u00e9ho, znal jste i\u00a0jeho syna, architekta Jana Kaplick\u00e9ho? <\/p>\r\n A\u00a0pracovali jste n\u011bkdy spolu? <\/p>\r\n Pt\u00e1m se proto, \u017ee jste v\u00a0posledn\u00ed dob\u011b ve\u0161el ve\u00a0zn\u00e1most v\u00a0souvislosti s\u00a0mozaikou na\u00a0hav\u00ed\u0159ovsk\u00e9m n\u00e1dra\u017e\u00ed, kter\u00e9 se poda\u0159ilo jako uk\u00e1zku bruselsk\u00e9ho stylu zachr\u00e1nit p\u0159ed zbour\u00e1n\u00edm. <\/p>\r\n Jak se takov\u00e1 v\u011bc vyr\u00e1b\u00ed a\u00a0p\u0159ev\u00e1\u017e\u00ed? <\/p>\r\n Navrhoval jste tak\u00e9 v\u00fdzdobu p\u0159edv\u00e1d\u011bc\u00ed s\u00edn\u011b japonsk\u00e9 firmy Konica v\u00a0Tokiu. Kter\u00e1 z\u00a0t\u011bchto zak\u00e1zek pro v\u00e1s byla nejpresti\u017en\u011bj\u0161\u00ed? <\/p>\r\n Zm\u00ednil jste ateli\u00e9r na\u00a0Vinohradech, ale \u017eijete v\u00a0Hole\u0161ovic\u00edch. Co v\u00e1s sem p\u0159ivedlo? <\/p>\r\n Sledoval jste, jak se bouraly dr\u00e1\u017en\u00ed haly na\u00a0n\u00e1dra\u017e\u00ed Bubny-Z\u00e1tory? Co si o\u00a0tom mysl\u00edte? Byly to n\u00e1dhern\u00e9 stavby. A\u00a0ta kruhov\u00e1 okna!<\/p>\r\n To je stra\u0161n\u00e1 \u0161koda. Samoz\u0159ejm\u011b, \u017ee n\u011bkter\u00e9 v\u011bci mus\u00ed ustoupit jin\u00fdm, to nejde jinak. M\u00e1m toti\u017e neoby\u010dejnou slabost pro kolejnice, kombinuju je se sklem do\u00a0nejr\u016fzn\u011bj\u0161\u00edch instalac\u00ed. Minulost se m\u00e1 ale se sou\u010dasnost\u00ed sm\u00ed\u0159it, a\u00a0ne ve\u00a0jm\u00e9nu budoucnosti minulost likvidovat.<\/p>\r\n <\/p>\r\n U\u017e zm\u00edn\u011bn\u00e1 Pecha Kucha Night se v\u00a0kin\u011b Aero kon\u00e1 p\u011btkr\u00e1t do\u00a0roka. P\u0159edstavuj\u00ed se na\u00a0n\u00ed mlad\u00ed um\u011blci a\u00a0design\u00e9\u0159i. V\u00a0z\u00e1\u0159\u00ed jste se tam najednou objevil vy s\u00a0hodn\u011b vtipnou show. Jak se to stalo? <\/p>\r\n Skl\u00e1\u0159sk\u00fd v\u00fdtvarn\u00edk profesor Vladim\u00edr Kopeck\u00fd (*1931) absolvoval v\u00a0roce 1956 pra\u017eskou Vysokou \u0161kolu um\u011bleckopr\u016fmyslovou (V\u0160UP). V\u00a0\u0161edes\u00e1t\u00fdch letech navrhoval vitr\u00e1\u017ee a\u00a0mozaiky, v\u00a0sedmdes\u00e1t\u00fdch letech se zam\u011b\u0159il na\u00a0v\u011bt\u0161\u00ed geometrick\u00e9 artefakty. Stoj\u00ed za\u00a0expozic\u00ed EXPO Sevilla \u201992, sklen\u011bnou mozaikou na\u00a0zn\u00e1m\u00e9m hav\u00ed\u0159ovsk\u00e9m n\u00e1dra\u017e\u00ed v\u00a0bruselsk\u00e9m stylu, v\u00fdzdobou televizn\u00edho vys\u00edla\u010de v\u00a0Praze nebo p\u0159edv\u00e1d\u011bc\u00ed s\u00edn\u011b firmy Konica v\u00a0Tokiu. V\u00a0letech 1990 a\u017e 2008 vedl ateli\u00e9r skla na\u00a0pra\u017esk\u00e9 V\u0160UP. Jeho d\u00edla jsou zastoupena ve\u00a0sb\u00edrk\u00e1ch po\u00a0cel\u00e9m sv\u011bt\u011b.<\/span><\/p>\r\n
\r\n <\/strong>P\u016fvodn\u011b jsem studoval skl\u00e1\u0159skou \u0161kolu v\u00a0Kamenick\u00e9m \u0160enov\u011b, potom skl\u00e1\u0159skou \u0161kolu v\u00a0Nov\u00e9m Boru, ze kter\u00e9 jsem pak \u0161el do\u00a0Prahy na\u00a0UMPRUM. A\u00a0prvn\u00ed, co jsme v\u00a0ateli\u00e9ru u\u00a0Josefa Kaplick\u00e9ho navrhovali, bylo n\u00e1pojov\u00e9 sklo. Kaplick\u00fd n\u00e1s vedl k\u00a0jednoduchosti, i\u00a0my studenti jsme v\u00a0t\u00e9 dob\u011b pohrdali v\u0161\u00edm, co bylo dekorativn\u00ed. M\u00e1m r\u00e1d, kdy\u017e m\u016f\u017eu eliminovat zbyte\u010dnosti a\u00a0j\u00edt p\u0159\u00edmo k\u00a0podstat\u011b, ale na\u00a0druhou stranu je n\u011bkdy skv\u011bl\u00e9 na\u00a0v\u0161echno zapomenout a\u00a0propadnout se do\u00a0tot\u00e1ln\u00ed spont\u00e1nnosti. Nedok\u00e1\u017eu b\u00fdt d\u016fsledn\u00fd t\u0159eba jako Piet Mondrian. Kdy\u017e d\u011bl\u00e1m jedno, tou\u017e\u00edm po\u00a0druh\u00e9m. Proto jsem si jednou zapsal svoje kr\u00e9do: M\u00e1m r\u00e1d ticho absolutn\u00ed i\u00a0bou\u0159i vesm\u00edrnou.
\r\n <\/strong><\/p>\r\n
\r\n <\/strong>No jist\u011b. Znal jsem ho dob\u0159e, proto\u017ee kdy\u017e byl Honza je\u0161t\u011b mal\u00fd kluk, byl trochu cval\u00edk. A\u00a0my studenti jsme na\u00a0n\u011bj m\u011bli samoz\u0159ejm\u011b r\u016fzn\u00e9 nar\u00e1\u017eky. No ale pak Honza vyrostl v\u00a0doslova kr\u00e1sn\u00e9ho mu\u017esk\u00e9ho, skv\u011bl\u00e9ho \u010dlov\u011bka bezprost\u0159edn\u00ed noblesy.
\r\n <\/strong><\/p>\r\n
\r\n <\/strong>K\u00a0tomu nedo\u0161lo. Honza p\u0159i\u0161el na\u00a0UMPRUM o\u00a0n\u011bco pozd\u011bji ne\u017e j\u00e1 a\u00a0ke\u00a0spolupr\u00e1ci jsme se pak u\u017e nedostali.
\r\n <\/strong><\/p>\r\n
\r\n <\/strong>P\u016fvodn\u011b jsem o\u00a0t\u00e9to kauze nev\u011bd\u011bl, ale pak za\u00a0mnou p\u0159i\u0161li architekti z\u00a0Ostravy s\u00a0t\u00edm, \u017ee d\u00edky t\u00e9 mozaice a\u00a0m\u00e9mu autorstv\u00ed se poda\u0159ilo n\u00e1dra\u017e\u00ed zachr\u00e1nit. Takov\u00e1 mozaika je hrozn\u011b drah\u00e1 z\u00e1le\u017eitost, dneska by podobn\u00e1 realizace st\u00e1la miliony. Ale hlavn\u011b cel\u00e1 architektura t\u00e9 budovy je velmi kvalitn\u00ed. P\u0159ece nen\u00ed nic \u0161patn\u00e9ho na\u00a0tom, \u017ee bylo n\u00e1dra\u017e\u00ed postaveno v\u00a0\u0161edes\u00e1t\u00fdch letech. Nav\u00edc je ta mozaika obrovsk\u00e1. Osobn\u011b jsem ji nikdy nem\u011b\u0159il, ale pr\u00fd to byla nejv\u011bt\u0161\u00ed mozaika ze \u0161t\u00edpan\u00e9ho skla v\u00a0tehdej\u0161\u00edm \u010ceskoslovensku (podle dostupn\u00fdch informac\u00ed m\u011b\u0159\u00ed 65 metr\u016f \u010dtvere\u010dn\u00edch, pozn. red.).
\r\n <\/strong><\/p>\r\n
\r\n <\/strong>Nejd\u0159\u00edv jsem zv\u00edt\u011bzil v\u00a0sout\u011b\u017ei malovan\u00fdm kartonem v\u00a0m\u011b\u0159\u00edtku 1:10, pak nakreslil n\u00e1vrh jedna ku jedn\u00e9 na\u00a0karton, kter\u00fd se odvezl do\u00a0d\u00edlen Um\u011bleck\u00fdch \u0159emesel v\u00a0Letohradsk\u00e9 ulici 3, tady nedaleko v\u00a0Praze 7. Na\u00a0t\u00e9hle realizaci pod veden\u00edm Franti\u0161ka Tesa\u0159e pracovalo tehdy dvan\u00e1ct mozaik\u00e1\u0159\u016f, ka\u017ed\u00fd z\u00a0nich m\u011bl na\u00a0starost n\u011bjakou \u010d\u00e1st. Nejd\u016fle\u017eit\u011bj\u0161\u00ed je pochopit stylov\u00e1 specifika mozaiky ze \u0161t\u00edpan\u00e9ho skla. To se vezmou sklen\u011bn\u00e9 tabulky taven\u00e9 podle vzorn\u00edku barev, kter\u00fd jsem dodal, a\u00a0pak se na\u00a0takov\u00e9 kovadlince, na\u00a0jak\u00e9 se naklep\u00e1v\u00e1 kosa \u2013 jen\u017ee ost\u0159ej\u0161\u00ed \u2013 za\u010dnou ostrou hranou kladiva u\u0161tipovat kousky skla. To je pr\u00e1ce jak na\u00a0kostele. Podobnou v\u011bc jsem p\u0159ipravoval i\u00a0pro \u00fapravnu vody na\u00a0\u017delivce. Trvalo mi to p\u016fldruh\u00e9ho roku intenzivn\u00ed pr\u00e1ce, proto\u017ee jsem musel vych\u00e1zet z\u00a0technologick\u00e9ho sch\u00e9matu \u010di\u0161t\u011bn\u00ed vody, kter\u00e9 mi dodali odborn\u00edci z\u00a0projek\u010dn\u00ed kancel\u00e1\u0159e. Taky mi dalo dost pr\u00e1ce z\u00a0n\u011bj vytvo\u0159it um\u011bleck\u00e9 d\u00edlo a\u00a0zachovat informa\u010dn\u00ed hodnotu p\u0159edlohy. Ale pak p\u0159i\u0161la satisfakce \u2013 vloni se konala exkurze po\u00a0m\u00fdch prac\u00edch v\u00a0architektu\u0159e, a\u00a0kdy\u017e jsme se dostali do\u00a0tohoto are\u00e1lu, najednou za\u010dal podle mozaiky jeden in\u017een\u00fdr popisovat, jak cel\u00e9 \u010di\u0161t\u011bn\u00ed vody funguje.
\r\n <\/strong><\/p>\r\n
\r\n <\/strong>Ka\u017ed\u00e1 m\u00e1 svoje, to se ned\u00e1 \u0159\u00edct. Ale kdy\u017e se vr\u00e1t\u00edm je\u0161t\u011b k\u00a0\u017delivce, n\u00e1vrh jsem kreslil v\u00a0m\u00e9m ateli\u00e9ru na\u00a0Vinohradech, kter\u00fd m\u00e1 p\u011bt kr\u00e1t sedm metr\u016f. Tak\u017ee jsem karton musel nat\u00e1hnout od\u00a0podlahy po\u00a0strop, ale po\u0159\u00e1d mi chyb\u011bl odstup. Tak jsem si op\u0159el o\u00a0okno zrcadlo, s\u00e1m si stoupl p\u0159ed karton a\u00a0kresbu si prohl\u00ed\u017eel v\u00a0odraze. Vid\u011bl jsem sice jenom zlomek, ale kone\u010dn\u011b jsem m\u011bl jakousi p\u0159edstavu, jak bude mozaika vypadat z\u00a0v\u011bt\u0161\u00ed zd\u00e1lky.
\r\n <\/strong><\/p>\r\n
\r\n <\/strong>M\u00e1 pan\u00ed. \u017diju tady p\u0159es dvacet let. J\u00e1 jsem se narodil na\u00a0\u010ceskomoravsk\u00e9 vrchovin\u011b ve\u00a0Svojanov\u011b. \u201eVyso\u010dina, jak kr\u00e1sn\u00fd, kr\u00e1sn\u00fd kraj, a\u00a0co\u017e ten kr\u00e1sn\u00fd Svojanov,\u201c \u0159ekl dokonce kdysi Masaryk. Vtipn\u00e9 je, \u017ee Svojanov le\u017e\u00ed v\u00a0\u010cech\u00e1ch, ale mluv\u00ed se tam moravsky. Proto v\u017edycky \u0159\u00edk\u00e1m: \u201eJ\u00e1 su \u010cech.\u201c D\u011btstv\u00ed jsem pro\u017eil v\u00a0Uh\u0159\u00edn\u011bvsi u\u00a0Prahy. Pak jsem se st\u011bhoval do\u00a0D\u011b\u010d\u00edna, Kamenick\u00e9ho \u0160enova, Nov\u00e9ho Boru a\u00a0na\u00a0z\u00e1v\u011br na\u00a0UMPRUM do\u00a0Prahy. Tehdy jsem bydlel na\u00a0kolej\u00edch v\u00a0kubistick\u00e9 kolonce tady na\u00a0Letn\u00e9, ta u\u017e taky neexistuje, a\u00a0v\u00a0ulici Na\u00a0V\u00fd\u0161in\u00e1ch. A\u00a0proto\u017ee jsem bordel\u00e1\u0159, m\u00e1m je\u0161t\u011b v\u00a0Tuklatech pronajatou b\u00fdvalou st\u00e1j a\u00a0v\u00a0Semt\u011b\u0161i u\u00a0Karlov\u00fdch Var\u016f stodolu. Ale Hole\u0161ovice jsou p\u016fvabn\u00e1 \u010dtvr\u0165, je tady blizounko do\u00a0centra, tramvaj\u00ed je to \u00fapln\u00e1 legrace. A\u00a0p\u0159itom je tu u\u017e d\u00edky trati a\u00a0p\u0159\u00edstavu trochu jin\u00e1 atmosf\u00e9ra.<\/strong><\/p>\r\n
\r\n <\/strong><\/p>\r\n
\r\n <\/strong>P\u016fvodn\u011b jsem do\u00a0toho necht\u011bl j\u00edt, proto\u017ee jsem si \u0159\u00edkal, co je to za\u00a0blbost. A\u00a0pak jsem kupodivu zjistil, \u017ee to m\u00e1 sv\u00e9 kouzlo. V\u00a0Aeru u\u017e m\u011bli takov\u00fdch noc\u00ed p\u011bta\u010dty\u0159icet a\u00a0na\u00a0ka\u017ed\u00e9 vystoup\u00ed zhruba \u010dtrn\u00e1ct lid\u00ed. Tak si to za\u00a0tu dobu vyn\u00e1sobte. Po\u00a0skon\u010den\u00ed za\u00a0mnou dokonce p\u0159i\u0161li po\u0159adatel\u00e9, \u017ee moje vystoupen\u00ed m\u011blo ze v\u0161ech \u010dty\u0159iceti p\u011bti \u201eku\u010d\u00ed\u201c nejv\u011bt\u0161\u00ed ohlas. Tak\u017ee zase: M\u00e1m r\u00e1d ticho absolutn\u00ed i\u00a0bou\u0159i vesm\u00edrnou.\u00a0
\r\n <\/strong><\/p>\r\n
\r\n![\"\"](\"https:\/\/praha7.cz\/wp-content\/uploads\/2016\/01\/sklen\u011bn\u00e9-dny.2-312x400.png\")
<\/p>","protected":false},"excerpt":{"rendered":"[perex]\u010cty\u0159iaosmdes\u00e1tilet\u00fd mal\u00ed\u0159 a\u00a0skl\u00e1\u0159 Vladim\u00edr Kopeck\u00fd se proslavil sklen\u011bnou mozaikou na\u00a0hav\u00ed\u0159ovsk\u00e9m n\u00e1dra\u017e\u00ed. Kdy\u017e m\u011bla j\u00edt tato architektonicky cenn\u00e1 budova ze\u00a0\u0161edes\u00e1t\u00fdch let k\u00a0zemi, byla pr\u00e1v\u011b mozaika jedn\u00edm z\u00a0d\u016fvod\u016f, pro\u010d n\u00e1dra\u017e\u00ed zachr\u00e1nit. B\u00fdt podobn\u00e9 um\u011bleck\u00e9 d\u00edlo v\u00a0Bubnech-Z\u00e1torech, nemusela tam mo\u017en\u00e1 dnes zet po\u00a0dr\u00e1\u017en\u00edch hal\u00e1ch d\u00edra v\u00a0zemi.[\/perex]Ned\u00e1vno jsem na\u00a0YouTube vid\u011bl va\u0161e \u010derstv\u00e9 vystoupen\u00ed na\u00a0Pecha Kucha Night v\u00a0kin\u011b Aero. Jako […]","protected":false},"author":2,"featured_media":4216,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[37],"tags":[],"_links":{"self":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/4214"}],"collection":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/comments?post=4214"}],"version-history":[{"count":5,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/4214\/revisions"}],"predecessor-version":[{"id":4306,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/4214\/revisions\/4306"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media\/4216"}],"wp:attachment":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media?parent=4214"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/categories?post=4214"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/tags?post=4214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}