{"id":27710,"date":"2019-06-26T14:18:34","date_gmt":"2019-06-26T12:18:34","guid":{"rendered":"https:\/\/www.praha7.cz\/?p=27710"},"modified":"2019-06-27T14:23:53","modified_gmt":"2019-06-27T12:23:53","slug":"zivotni-dilo-ludka-m","status":"publish","type":"post","link":"https:\/\/www.praha7.cz\/zivotni-dilo-ludka-m\/","title":{"rendered":"\u017divotn\u00ed d\u00edlo Lu\u010fka M."},"content":{"rendered":"

[perex]<\/p>\r\n

V\u00fdstava architektury a\u00a0in\u017een\u00fdrstv\u00ed v\u00a0roce 1898 byla z\u00a0hlediska\u00a0po\u010dtu n\u00e1v\u0161t\u011bvn\u00edk\u016f nejm\u00e9n\u011b \u00fasp\u011b\u0161nou ze \u010dty\u0159 velk\u00fdch celon\u00e1rodn\u00edch v\u00fdstav p\u0159elomu 19. a\u00a020. stolet\u00ed. I\u00a0tak se ale\u00a0zapsala do \u010desk\u00fdch kulturn\u00edch d\u011bjin t\u011b\u017eko smazateln\u00fdm\u00a0p\u00edsmem. Premi\u00e9ru zde m\u011bly prvn\u00ed \u010desk\u00e9 hran\u00e9 filmy v\u00a0re\u017eii Jana K\u0159\u00ed\u017eeneck\u00e9ho, n\u011bkter\u00e9 z\u00a0nich nato\u010den\u00e9 p\u0159\u00edmo na V\u00fdstavi\u0161ti. Sv\u016fj provoz zde zah\u00e1jilo divadlo Urania, kter\u00e9\u00a0 se na dal\u0161\u00ed p\u016flstolet\u00ed stalo v\u00fdznamnou sc\u00e9nou l\u00e1kaj\u00edc\u00ed do\u00a0 Prahy 7 mno\u017estv\u00ed div\u00e1k\u016f. Profesor Jan Koula s\u00a0p\u0159\u00e1teli zde postavil kr\u010dmu U\u00a0Nesmysla jako parodii na tehdy m\u00f3dn\u00ed architektonick\u00e9 styly. Ov\u0161em jedin\u00e1 z\u00a0v\u00fdznamn\u00fdch\u00a0kulturn\u00edch atrakc\u00ed, kter\u00e1 p\u0159e\u017eila do dne\u0161n\u00edch dn\u016f,\u00a0je Maroldovo panorama bitvy u\u00a0Lipan<\/a>.<\/p>\r\n

[\/perex]<\/p>\r\n

Nov\u011b vybudovan\u00e9 V\u00fdstavi\u0161t\u011b ve Stromovce hostilo v\u00a0posledn\u00edm desetilet\u00ed 19. stolet\u00ed v\u00fdznamn\u00e9 v\u00fdstavn\u00ed akce, kter\u00e9 opakovan\u011b p\u0159itahovaly statis\u00edce n\u00e1v\u0161t\u011bvn\u00edk\u016f i\u00a0pozornost cel\u00e9 \u010desk\u00e9 spole\u010dnosti. Po \u00fasp\u011b\u0161\u00edch Jubilejn\u00ed (1891) a\u00a0N\u00e1rodopisn\u00e9 v\u00fdstavy (1895) se profesn\u00ed organizace Jednota architekt\u016f a\u00a0in\u017een\u00fdr\u016f rozhodla uspo\u0159\u00e1dat vlastn\u00ed akci, na kter\u00e9 m\u011bla b\u00fdt prezentov\u00e1na historie, sou\u010dasnost a\u00a0pokrok \u010desk\u00e9ho stroj\u00edrenstv\u00ed a\u00a0architektury. Vzhledem k\u00a0pom\u011brn\u011b \u00fazce a\u00a0odborn\u011b zam\u011b\u0159en\u00e9 dramaturgii p\u0159ehl\u00eddky dbal v\u00fdstavn\u00ed v\u00fdbor i\u00a0na v\u00fdb\u011br z\u00e1bavn\u00edch podnik\u016f, kter\u00e9 m\u011bly na v\u00fdstavn\u00ed plochu ve Stromovce p\u0159it\u00e1hnout i\u00a0\u201eb\u011b\u017en\u00e9ho\u201c n\u00e1v\u0161t\u011bvn\u00edka. Krom\u011b ji\u017e zm\u00edn\u011bn\u00e9ho divadla Urania se m\u011bl takov\u00fdm magnetem st\u00e1t pavilon s\u00a0panoramatick\u00fdm obrazem zachycuj\u00edc\u00edm v\u00fdznamnou ud\u00e1lost \u010desk\u00fdch d\u011bjin. Padaly n\u00e1vrhy na vyobrazen\u00ed bitvy z\u00a0obdob\u00ed husitsk\u00fdch v\u00e1lek\u00a0\u2013 pod Vy\u0161ehradem (1420), u\u00a0\u00dast\u00ed nad Labem (1426) nebo u\u00a0Doma\u017elic (1431). Ve h\u0159e bylo tak\u00e9 panorama bitvy na B\u00edl\u00e9 ho\u0159e v\u00a0roce 1620 nebo popravy sedmadvaceti \u010desk\u00fdch p\u00e1n\u016f na Starom\u011bstsk\u00e9m n\u00e1m\u011bst\u00ed o\u00a0rok pozd\u011bji. V\u00fdtvarn\u00fd odbor Um\u011bleck\u00e9 besedy, kter\u00fd byl pov\u011b\u0159en prov\u00e9st v\u00fdb\u011br n\u00e1m\u011btu, nakonec zvolil v\u00fdjev ze slavn\u00e9 bitvy u\u00a0Lipan, kter\u00e1 v\u00a0roce 1434 p\u0159inesla definitivn\u00ed vojenskou por\u00e1\u017eku husitsk\u00fdch vojsk. K\u00a0proveden\u00ed monument\u00e1ln\u00edho d\u00edla byl vybr\u00e1n mlad\u00fd mal\u00ed\u0159 Lud\u011bk Marold, kter\u00fd v\u00fdstavn\u00edmu v\u00fdboru vnuknul pr\u00e1v\u011b ideu prezentovat na v\u00fdstav\u011b ob\u0159\u00ed panoramatick\u00fd obraz.<\/p>\r\n

Talentovan\u00fd um\u011blec se narodil v\u00a0Praze v\u00a0srpnu 1865, pom\u011brn\u011b z\u00e1hy p\u0159i\u0161el o\u00a0oba rodi\u010de a\u00a0vychov\u00e1vala jej jeho teta. U\u017e v\u00a0patn\u00e1cti letech byl zaps\u00e1n na pra\u017eskou v\u00fdtvarnou akademii, odkud byl ale zanedlouho vylou\u010den. Pot\u00e9 studoval na v\u00fdtvarn\u00e9 \u0161kole v\u00a0Mnichov\u011b, odkud pos\u00edlal kresby do tehdej\u0161\u00edch p\u0159edn\u00edch \u010desk\u00fdch \u010dasopis\u016f\u00a0\u2013 Sv\u011btozoru nebo Zlat\u00e9 Prahy. Na konci roku 1888 se vr\u00e1til do Prahy, aby pokra\u010doval ve studiu na zdej\u0161\u00ed akademii v\u00a0ateli\u00e9ru Maxe Pirnera. N\u00e1sleduj\u00edc\u00ed rok odj\u00ed\u017ed\u00ed Marold do Pa\u0159\u00ed\u017ee, kde se z\u00e1hy st\u00e1v\u00e1 \u00fasp\u011b\u0161n\u00fdm a\u00a0\u017e\u00e1dan\u00fdm ilustr\u00e1torem. Vynik\u00e1 p\u0159edev\u0161\u00edm ve sv\u00e9bytn\u00e9m zobrazov\u00e1n\u00ed v\u00fdjev\u016f z\u00a0m\u011bstsk\u00e9ho \u017eivota. V\u00a0devades\u00e1t\u00fdch letech pak \u017eije st\u0159\u00eddav\u011b ve francouzsk\u00e9 metropoli a\u00a0v\u00a0Praze, na podzim 1897 se p\u0159esouv\u00e1 natrvalo do Prahy, proto\u017ee 21.\u00a0\u0159\u00edjna podepisuje smlouvu na vytvo\u0159en\u00ed panoramatu. D\u00edlo m\u00e1 zhotovit do 15.\u00a0\u010dervna n\u00e1sleduj\u00edc\u00edho roku a\u00a0jeho honor\u00e1\u0159 m\u00e1 dos\u00e1hnout tehdy astronomick\u00fdch 25 tis\u00edc zlat\u00fdch. Proto\u017ee organiz\u00e1to\u0159i v\u00fdstavy po\u010d\u00edtali s\u00a0t\u00edm, \u017ee za n\u00e1v\u0161t\u011bvu pavilonu se bude platit, sl\u00edbili mal\u00ed\u0159i nav\u00edc dvacet procent z\u00a0\u010dist\u00e9ho zisku.<\/p>\r\n

\"\"<\/a><\/p>\r\n

\u00a0Mal\u00ed\u0159 Lud\u011bk Marold ve sv\u00e9m ateli\u00e9ru<\/em><\/p>\r\n

Nejv\u011bt\u0161\u00ed mal\u00ed\u0159sk\u00fd ateli\u00e9r
\r\n<\/strong>D\u00edlo m\u011blo b\u00fdt um\u00edst\u011bno v\u00a0pavilonu, kter\u00fd postavil p\u0159ed prav\u00fdm k\u0159\u00eddlem Pr\u016fmyslov\u00e9ho pal\u00e1ce tesa\u0159sk\u00fd mistr Franti\u0161ek Vaitr. Ani Marold ale nezah\u00e1lel, ke spolupr\u00e1ci pozval nejprve krajin\u00e1\u0159e V\u00e1clava Jansu (1859\u20131913), se kter\u00fdm prov\u00e1d\u011bl skicov\u00e1n\u00ed krajiny. Re\u00e1lie husitsk\u00e9 doby autor konzultoval s\u00a0tehdej\u0161\u00edmi p\u0159edn\u00edmi odborn\u00edky Emanuelem Tonnerem, Janem Herainem, Josefem P\u00ed\u010dem nebo Aloisem Jir\u00e1skem. Na p\u0159\u00edpravn\u00fdch kresl\u00ed\u0159sk\u00fdch prac\u00edch se v\u00fdznamn\u011b pod\u00edlel i\u00a0Marold\u016fv p\u0159\u00edtel mal\u00ed\u0159 Karel Ra\u0161ek (1861\u20131918). Pot\u00e9 Marold vytvo\u0159il velkou skicu v\u00a0m\u011b\u0159\u00edtku 1:10 na pap\u00ed\u0159e, kter\u00fd byl napnut\u00fd na velk\u00e9m d\u0159ev\u011bn\u00e9m bubnu. Do krajiny vkomponoval jednotliv\u00e9 skupiny figur a\u00a0dal\u0161\u00ed v\u00fdjevy, a\u00a0vytvo\u0159il tak celkov\u00fd obraz. Dokon\u010den\u00fd koncept byl p\u0159en\u00e1\u0161en pomoc\u00ed \u010dtvercov\u00e9 s\u00edt\u011b na pl\u00e1tno zav\u011b\u0161en\u00e9 v\u00a0ji\u017e hotov\u00e9m pavilonu. Vlastn\u00ed pr\u00e1ce v\u00a0objektu zah\u00e1jili mal\u00ed\u0159i pod Maroldov\u00fdm veden\u00edm 7.\u00a0\u00fanora\u00a01898. Krom\u011b v\u00fd\u0161e zm\u00edn\u011bn\u00fdch koleg\u016f p\u0159izval Marold ke spolupr\u00e1ci dal\u0161\u00ed um\u011blce\u00a0\u2013 mal\u00ed\u0159e Ludv\u00edka Vac\u00e1tka (1873\u20131956), kter\u00fd se uplatnil p\u0159edev\u0161\u00edm p\u0159i kresb\u011b kon\u00ed a\u00a0v\u016fbec bitevn\u00edch sc\u00e9n. Okru\u017en\u00ed \u010d\u00e1sti pod obrazem a\u00a0tvorby a\u00a0instalace atrap p\u0159edm\u011bt\u016f se ujal mal\u00ed\u0159 a\u00a0sc\u00e9nograf Karel \u0160tapfer (1863\u20131930). Posledn\u00edm spoluautorem byl \u201ekolorista dekorativn\u00edho stylu\u201c mal\u00ed\u0159 Theodor Hil\u0161er (1866\u20131930).<\/p>\r\n

Namalovat pl\u00e1tno o\u00a0d\u00e9lce 90 a\u00a0v\u00fd\u0161ce 11 metr\u016f, a\u00a0vyplnit tak plochu p\u0159esahuj\u00edc\u00ed tis\u00edc metr\u016f \u010dtvere\u010dn\u00edch se zd\u00e1lo\u00a0mnoha skeptik\u016fm nemo\u017en\u00e9. Marold se sv\u00fdmi kolegy d\u0159eli tak\u0159ka do \u00famoru\u00a0\u2013 pr\u00e1ci v\u00a0objektu o\u00a0pr\u016fm\u011bru 30 metr\u016f jim trochu usnad\u0148ovalo vysok\u00e9 le\u0161en\u00ed, kter\u00e9 se pohybovalo po kolejnic\u00edch polo\u017een\u00fdch p\u0159i obvodu pl\u00e1\u0161t\u011b budovy. Navzdory skeptick\u00fdm hlas\u016fm se d\u00edlo poda\u0159ilo dokon\u010dit a\u00a015.\u00a0\u010dervna\u00a01898 jej Marold p\u0159edal organiz\u00e1tor\u016fm v\u00fdstavy. D\u00edlo, Maroldovy organiza\u010dn\u00ed schopnosti i\u00a0jeho spolupracovn\u00edky pochv\u00e1lil po zah\u00e1jen\u00ed v\u00fdstavy \u010dasopis Sv\u011btozor takto: \u201e\u0160\u0165astn\u00e1 organizace a\u00a0veden\u00ed pr\u00e1ce podn\u00edtily dochvilnost kolos\u00e1ln\u00edho v\u00fdkonu, \u0161\u0165astn\u00e9mu v\u00fdb\u011bru spolupracovn\u00edk\u016f pak n\u00e1le\u017e\u00ed nemal\u00e1 z\u00e1sluha o\u00a0kr\u00e1sn\u00fd v\u00fdsledek jeho po str\u00e1nce um\u011bleck\u00e9.\u201c I\u00a0kdy\u017e se b\u011bhem v\u00fdstavy objevila kritika, p\u0159edev\u0161\u00edm kv\u016fli r\u016fzn\u00fdm historick\u00fdm nep\u0159esnostem, byl provoz panoramatu v\u00a0r\u00e1mci v\u00fdstavy architektury a\u00a0in\u017een\u00fdrstv\u00ed vn\u00edm\u00e1n veskrze pozitivn\u011b. B\u011bhem kon\u00e1n\u00ed akce si instalaci prohl\u00e9dlo 82 tis\u00edc n\u00e1v\u0161t\u011bvn\u00edk\u016f (p\u0159i celkov\u00e9 n\u00e1v\u0161t\u011bv\u011b technicko-architektonick\u00e9 p\u0159ehl\u00eddky p\u016fl milionu lid\u00ed) a\u00a0jako jedin\u00e1 z\u00a0v\u00fdstavn\u00edch podnik\u016f skon\u010dila v\u00a0kladn\u00fdch \u010d\u00edslech. Smutn\u00fd osud ale potkal jej\u00edho hlavn\u00edho tv\u016frce Lu\u010fka Marolda, kter\u00fd nedlouho po v\u00fdstav\u011b, v\u00a0prosinci 1898, podlehl tyfov\u00e9 n\u00e1kaze.<\/p>\r\n

St\u011bhov\u00e1n\u00ed a\u00a0nov\u00e9 pavilony<\/strong>
\r\nPo skon\u010den\u00ed v\u00fdstavy z\u016fstal pavilon s\u00a0panoramatem, na rozd\u00edl od cel\u00e9 \u0159ady dal\u0161\u00edch atrakc\u00ed, na sv\u00e9m m\u00edst\u011b a\u00a0p\u0159\u00edle\u017eitostn\u011b se otev\u00edral b\u011bhem akc\u00ed na V\u00fdstavi\u0161ti. V\u00a0roce 1907, kdy\u017e se za\u010dala p\u0159ipravovat dal\u0161\u00ed velk\u00e1 akce\u00a0\u2013 Jubilejn\u00ed v\u00fdstava obchodn\u00ed a\u00a0\u017eivnostensk\u00e9 komory, bylo nutn\u00e9 uvolnit m\u00edsto pro jin\u00e9 v\u00fdstavn\u00ed expozice. Majitel obrazu Spolek in\u017een\u00fdr\u016f a\u00a0architekt\u016f jej nejprve nab\u00eddl pod podm\u00ednkou opravy a\u00a0\u00fadr\u017eby pl\u00e1tna m\u011bstu Praze a\u00a0po jeho odm\u00edtnut\u00ed i\u00a0m\u011bstu Kr\u00e1lovsk\u00e9 Vinohrady. Ani zde neusp\u011bl. Spolek nakonec rozhodl, \u017ee o\u00a0p\u0159esun a\u00a0dal\u0161\u00ed provoz panoramatu se postar\u00e1 s\u00e1m. Od m\u011bsta Prahy dostal pozemek na okraji Stromovky a\u00a0bez\u00faro\u010dnou p\u016fj\u010dku 16 tis\u00edc korun na stavbu nov\u00e9ho objektu. Ten vznikl podle n\u00e1vrhu a\u00a0za dozoru stavitele Ludv\u00edka \u010c\u00ed\u017eka, d\u0159ev\u011bnou stavbu op\u011bt provedl tesa\u0159sk\u00fd mistr Vaitr. Na restaurov\u00e1n\u00ed pl\u00e1tna se pod\u00edleli jeho spolutv\u016frci Jansa, \u0160tapfer a\u00a0Ra\u0161ek. Vn\u011bj\u0161\u00ed dekoraci (husitsk\u00e9 embl\u00e9my) vytvo\u0159il architekt prof. Jan Koula. Nov\u00fd pavilon byl otev\u0159en v\u00a0roce 1908, Maroldovo opus magnum\u00a0je tak na sv\u00e9m sou\u010dasn\u00e9m m\u00edst\u011b v\u00edce ne\u017e 110 let.<\/p>\r\n

Ve dvac\u00e1t\u00fdch letech bylo panorama zp\u0159\u00edstupn\u011bno ka\u017edou ned\u011bli a\u00a0ve sv\u00e1tek, skupiny si mohly objednat prohl\u00eddku i\u00a0ve v\u0161edn\u00ed den. Stran vstupn\u00e9ho p\u00ed\u0161e dobov\u00fd pr\u016fvodce (1923) panoramatem: \u201eOstatn\u011b i\u00a0pro jednotlivce je vstupn\u00e9 tak n\u00edzk\u00e9, \u017ee ani s\u00a0t\u00e9to str\u00e1nky nen\u00ed p\u0159\u00ed\u010diny, pro\u010d by ka\u017ed\u00fd, kdo m\u00e1 smysl pro nejvy\u0161\u0161\u00ed um\u011bleck\u00fd po\u017eitek i\u00a0slavnou na\u0161i minulost, tuto p\u0159edn\u00ed atrakci na\u0161\u00ed \u010deskoslovensk\u00e9 metropole nechal bez pov\u0161imnut\u00ed.\u201c N\u00e1v\u0161t\u011bvnost se tehdy \u00fadajn\u011b pohybovala kolem 100 tis\u00edc osob ro\u010dn\u011b.<\/p>\r\n

Znovu do pop\u0159ed\u00ed z\u00e1jmu se panorama dostalo b\u011bhem rekordn\u011b studen\u00e9 a\u00a0na sn\u00edh bohat\u00e9 zimy na p\u0159elomu let 1928 a\u00a01929. Koncem \u00fanora\u00a01929 se pod t\u00edhou sn\u011bhu z\u0159\u00edtila st\u0159echa objektu. Kolaps d\u0159ev\u011bn\u00e9 konstrukce dvan\u00e1ctibok\u00e9ho pavilonu zp\u016fsobil i\u00a0zna\u010dn\u00e9 po\u0161kozen\u00ed samotn\u00e9ho obrazu. Nejv\u00edce byla po\u0161kozena polovina obrazu s\u00a0p\u0159evahou krajinn\u00fdch v\u00fdjev\u016f. Potrhan\u00e9 pl\u00e1tno bylo srolov\u00e1no a\u00a0deponov\u00e1no v\u00a0obecn\u00edm dvo\u0159e v\u00a0Ko\u0161\u00ed\u0159\u00edch. V\u00a0dob\u011b po\u010d\u00ednaj\u00edc\u00ed velk\u00e9 hospod\u00e1\u0159sk\u00e9 krize st\u00e1l Spolek in\u017een\u00fdr\u016f a\u00a0architekt\u016f p\u0159ed obt\u00ed\u017en\u00fdm \u00fakolem\u00a0\u2013 sehnat finance na stavbu nov\u00e9ho objektu pro ob\u0159\u00ed obraz. Vznikl proto V\u00fdbor pro znovuza\u0159\u00edzen\u00ed Maroldova panoramatu \u201eBitva u\u00a0Lipan\u201c, kter\u00fd m\u011bl za \u00fakol shroma\u017e\u010fovat pen\u00edze formou ve\u0159ejn\u00e9 sb\u00edrky a\u00a0dohl\u00ed\u017eet na stavbu nov\u00e9 budovy. Jej\u00ed n\u00e1vrh vypracoval dr. V\u00e1clav Krch a\u00a0nov\u00e1 budova m\u011bla d\u00edky pou\u017eit\u00e9mu materi\u00e1lu (kov a\u00a0beton) l\u00e9pe odol\u00e1vat pov\u011btrnostn\u00edm podm\u00ednk\u00e1m. P\u016fvodn\u00ed, ov\u0161em nerealizovan\u00fd z\u00e1m\u011br byl spojit stavbu nov\u00e9ho pavilonu i\u00a0s\u00a0objektem nov\u00e9 zemsk\u00e9 galerie. Origin\u00e1ln\u00ed potrhan\u00fd obraz byl opraven, nejv\u011bt\u0161\u00ed probl\u00e9m p\u0159edstavovalo jeho bezchybn\u00e9 nalepen\u00ed na pevnou st\u011bnu. Na tyto pr\u00e1ce dohl\u00ed\u017eel zvl\u00e1\u0161tn\u00ed poradn\u00ed sbor, ve kter\u00e9m zasedli mj. Alfons Mucha nebo tehdej\u0161\u00ed rektor AVU mal\u00ed\u0159 Vratislav Nechleba. Nov\u00fd objekt byl nakonec slavnostn\u011b otev\u0159en v\u00a0den p\u011btist\u00e9ho v\u00fdro\u010d\u00ed bitvy u\u00a0Lipan\u00a0\u2013 30.\u00a0kv\u011btna\u00a01934.<\/p>\r\n

Za p\u011btaosmdes\u00e1t let provozu pro\u0161el pavilon n\u011bkolika rekonstrukcemi, dva roky trvala rekonstrukce po ni\u010div\u00fdch povodn\u00edch v\u00a0roce 2002. V\u00a0ned\u00e1vn\u00e9 dob\u011b byla expozice zmodernizovan\u00e1, z\u00edskala nov\u00e9 prostorov\u00e9 ozvu\u010den\u00ed a\u00a0informa\u010dn\u00ed panely. O\u00a0v\u00fdjime\u010dnosti Maroldova monument\u00e1ln\u00edho d\u00edla se m\u016f\u017eete p\u0159esv\u011bd\u010dit denn\u011b\u00a0od 9 do 18 hodin.<\/p>\r\n

\"\"<\/a><\/p>\r\n

Karikatura Lu\u010fka Marolda, kter\u00e1 byla oti\u0161t\u011bna v\u00a0\u010dasopisu \u0160vanda dud\u00e1k v\u00a0roce 1902\u00a0<\/em><\/p>\r\n

 <\/p>\r\n

\u00a0<\/strong><\/p>","protected":false},"excerpt":{"rendered":"[perex] V\u00fdstava architektury a\u00a0in\u017een\u00fdrstv\u00ed v\u00a0roce 1898 byla z\u00a0hlediska\u00a0po\u010dtu n\u00e1v\u0161t\u011bvn\u00edk\u016f nejm\u00e9n\u011b \u00fasp\u011b\u0161nou ze \u010dty\u0159 velk\u00fdch celon\u00e1rodn\u00edch v\u00fdstav p\u0159elomu 19. a\u00a020. stolet\u00ed. I\u00a0tak se ale\u00a0zapsala do \u010desk\u00fdch kulturn\u00edch d\u011bjin t\u011b\u017eko smazateln\u00fdm\u00a0p\u00edsmem. Premi\u00e9ru zde m\u011bly prvn\u00ed \u010desk\u00e9 hran\u00e9 filmy v\u00a0re\u017eii Jana K\u0159\u00ed\u017eeneck\u00e9ho, n\u011bkter\u00e9 z\u00a0nich nato\u010den\u00e9 p\u0159\u00edmo na V\u00fdstavi\u0161ti. Sv\u016fj provoz zde zah\u00e1jilo divadlo Urania, kter\u00e9\u00a0 se na dal\u0161\u00ed p\u016flstolet\u00ed stalo […]","protected":false},"author":76,"featured_media":27711,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[37],"tags":[],"_links":{"self":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/27710"}],"collection":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/comments?post=27710"}],"version-history":[{"count":4,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/27710\/revisions"}],"predecessor-version":[{"id":27718,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/27710\/revisions\/27718"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media\/27711"}],"wp:attachment":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media?parent=27710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/categories?post=27710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/tags?post=27710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}