![\"\"](\"https:\/\/www.praha7.cz\/wp-content\/uploads\/2019\/05\/lacko1.png\")
<\/a><\/p>\r\nKdo je tady sc\u00e9nograf Podle um\u011bleck\u00e9 \u0159editelky Pra\u017esk\u00e9ho Quadriennale Mark\u00e9ty Fantov\u00e9, kter\u00e1 je sama mezin\u00e1rodn\u011b \u00fasp\u011b\u0161n\u00e1 sc\u00e9nografka, mus\u00ed tato profese um\u011bt p\u0159etvo\u0159it v\u00a0podstat\u011b jak\u00fdkoli prostor v\u00a0divadeln\u00ed prost\u0159ed\u00ed, je\u017e pak zap\u016fsob\u00ed na vizu\u00e1ln\u00ed i\u00a0emocion\u00e1ln\u00ed vn\u00edm\u00e1n\u00ed div\u00e1ka v\u00a0souladu s\u00a0celkov\u00fdm z\u00e1m\u011brem dan\u00e9ho p\u0159edstaven\u00ed. Tento \u00fakol se b\u011bhem dlouh\u00e9 divadeln\u00ed historie v\u00a0podstat\u011b nem\u011bnil. Co je v\u0161ak charakteristick\u00e9 pro dne\u0161n\u00ed dobu, jsou jednak rozmanit\u00e9 prostory, s\u00a0nimi\u017e sc\u00e9nograf mus\u00ed pracovat, a\u00a0jednak technologick\u00fd pokrok, kter\u00fd do oboru rychle pronik\u00e1. Sc\u00e9nografov\u00e9 tak ji\u017e musej\u00ed m\u00edt alespo\u0148 pov\u011bdom\u00ed o\u00a0mo\u017enostech r\u016fzn\u00fdch technologi\u00ed a\u00a0spolupracovat se sp\u0159\u00edzn\u011bn\u00fdmi obory, jako je sv\u011bteln\u00fd a\u00a0zvukov\u00fd design nebo videomapping.<\/p>\r\n \u201eTechnologie nebo speci\u00e1ln\u00ed projekce ale nikdy nebude t\u011b\u017ei\u0161t\u011bm divadeln\u00edho p\u0159edstaven\u00ed. Je t\u0159eba o\u00a0n\u00ed p\u0159em\u00fd\u0161let v\u00a0\u0161ir\u0161\u00edm kontextu \u017e\u00e1dan\u00e9ho dramatick\u00e9ho tvaru,\u201c upozor\u0148uje p\u0159ed Vilou \u0160tvanice Jana \u0160palov\u00e1. Jej\u00ed spolupracovnice Aneta Gr\u0148\u00e1kov\u00e1 zase podot\u00fdk\u00e1, \u017ee ka\u017ed\u00fd sc\u00e9nograf si buduje svoji databanku vjem\u016f a\u00a0materi\u00e1l\u016f, do n\u00ed\u017e mus\u00ed ve vhodnou chv\u00edli s\u00e1hnout, aby v\u00a0div\u00e1kovi vyvolal k\u00fd\u017een\u00fd dojem \u010di n\u00e1ladu.<\/p>\r\n Ob\u011b mlad\u00e9 tv\u016frkyn\u011b v\u00a0tomto ohledu hodnot\u00ed Pra\u017esk\u00e9 Quadriennale jako jedine\u010dnou a\u00a0skv\u011ble dostupnou p\u0159ehl\u00eddku nejnov\u011bj\u0161\u00edch postup\u016f a\u00a0technologi\u00ed, jako\u017eto i\u00a0bezednou studnici kreativity a\u00a0inspirace. \u201e\u010clov\u011bku to vlije \u010derstvou krev do \u017eil. M\u00e1me mo\u017enost vid\u011bt pr\u00e1ci jin\u00fdch koleg\u016f, co\u017e je impulz k\u00a0tomu, abychom v\u00a0t\u00e9 svoj\u00ed neust\u00e1valy,\u201c \u0159\u00edk\u00e1 kost\u00fdmn\u00ed v\u00fdtvarnice Gr\u0148\u00e1kov\u00e1.<\/p>\r\n Demotivace nebo vyho\u0159en\u00ed toti\u017e m\u016f\u017ee lehce potkat i\u00a0sc\u00e9nografa. V\u00a0\u010cesku nav\u00edc t\u0159eba z\u00a0ryze existen\u010dn\u00edch d\u016fvod\u016f \u2013 obor je, podobn\u011b jako cel\u00e9 divadelnictv\u00ed, podfinancov\u00e1n. Jana \u0160palov\u00e1 se ale na tento rys \u010desk\u00e9ho divadla d\u00edv\u00e1 pozitivn\u011b: napjat\u00fd rozpo\u010det aspo\u0148 sc\u00e9nografa nut\u00ed j\u00edt jen po podstat\u011b v\u011bci a\u00a0vyvarovat se p\u0159\u00edli\u0161n\u00e9 dekorativnosti, kter\u00e1 ve v\u00fdsledn\u00e9 inscenaci vytvo\u0159\u00ed de facto jen vizu\u00e1ln\u00ed smog. M\u00e1lo pen\u011bz divadeln\u00edk\u016fm podle n\u00ed tak\u00e9 vynahrazuje neutuchaj\u00edc\u00ed, ba rostouc\u00ed, div\u00e1ck\u00fd z\u00e1jem a\u00a0mno\u017estv\u00ed divadel a\u00a0p\u0159edstaven\u00ed, kter\u00e1 tu ro\u010dn\u011b vznikaj\u00ed.<\/p>\r\n Centrum na V\u00fdstavi\u0161ti<\/strong> \u017de by se \u010dtrn\u00e1ct\u00fd ro\u010dn\u00edk konal na V\u00fdstavi\u0161ti, zpo\u010d\u00e1tku nep\u0159edpokl\u00e1dala. Kdy\u017e ov\u0161em p\u0159ed v\u00edce ne\u017e t\u0159emi lety za\u010dala se sv\u00fdm t\u00fdmem hledat prostory pro dal\u0161\u00ed PQ, uk\u00e1zalo se, \u017ee je velk\u00fd probl\u00e9m uzav\u0159\u00edt smlouvu pro akci t\u011bchto rozm\u011br\u016f na tak dlouho dop\u0159edu. \u201eV\u00fdstavi\u0161ti jsme \u0159\u00edkali h\u0159bitov v\u00fdstavn\u00ed architektury, proto\u017ee n\u00e1m p\u0159ipadalo jako hrozn\u00fd slepenec,\u201c\u00a0 P\u0159ed \u010dty\u0159mi lety tolik postr\u00e1dan\u00fd centr\u00e1ln\u00ed prostor k\u00a0setk\u00e1v\u00e1n\u00ed a\u00a0diskuz\u00edm tedy letos vznikne v\u00a0prostor\u00e1ch K\u0159i\u017e\u00edkovy font\u00e1ny, kde bude PQ tak\u00e9 slavnostn\u011b zah\u00e1jeno. Najdete tu z\u00f3nu s\u00a0kvalitn\u00edm ob\u010derstven\u00edm a\u00a0odpo\u010dinkovou lounge s\u00a0ambientn\u00ed hudbou. V\u00a0p\u0159ilehl\u00e9m pavilonu je um\u00edst\u011bna sekce PQ d\u011btem. V\u00a0\u0161esti boxech propojen\u00fdch tunely vznikl labyrint se zast\u00e1vkami vytvo\u0159en\u00fdmi r\u016fzn\u00fdmi um\u011blci. P\u0159ichyst\u00e1n je anim\u00e1torsk\u00fd kurz pod veden\u00edm lektor\u016f z\u00a0Aero\u0161koly a\u00a0workshopy s\u00a0hlavn\u00ed hv\u011bzdou leto\u0161n\u00edho PQ,\u00a0britskou grafi\u010dkou Olivi\u00ed Lomenech Gillovou, kter\u00e1 ilustruje knihy J. K. Rowlingov\u00e9. Speci\u00e1ln\u00ed program nab\u00edz\u00ed PQ i\u00a0pro \u0161koln\u00ed t\u0159\u00eddy a\u00a0jin\u00e9 skupiny d\u011bt\u00ed nebo ml\u00e1de\u017ee.<\/p>\r\n V\u00a0dal\u0161\u00edm pavilonu u\u00a0K\u0159i\u017e\u00edkovy font\u00e1ny se budou ka\u017ed\u00fd den konat PQ Talks o\u00a0sou\u010dasn\u00e9 sc\u00e9nografii, jej\u00edch trendech a\u00a0jej\u00ed budoucnosti. Sv\u011btov\u00e9 hv\u011bzdy oboru, jako ji\u017e zmi\u0148ovanou Olivii Lomenech Gillovou nebo italsk\u00e9ho re\u017eis\u00e9ra a\u00a0sc\u00e9nografa Stefana Podu, letos d\u00e1le dopln\u00ed v\u00fdrazn\u00e9 zastoupen\u00ed osobnost\u00ed n\u011bmeck\u00e9ho designu a\u00a0sc\u00e9nografie. Na programu jsou tak\u00e9 teoretick\u00e9 a\u00a0historick\u00e9 p\u0159edn\u00e1\u0161ky a\u00a0odborn\u00e9 diskuze.<\/p>\r\n V\u00a0nedalek\u00e9m Lapid\u00e1riu je potom p\u0159ipravena v\u00fdstava Fragmenty, kter\u00e1 p\u0159edstavuje legendy sv\u011btov\u00e9 sc\u00e9nografie prost\u0159ednictv\u00edm jedin\u00e9ho objektu ze souboru v\u0161ech, kter\u00e9 dan\u00fd autor vytvo\u0159il. Jedn\u00e1 se v\u00a0podstat\u011b o\u00a0informa\u010dn\u011b nap\u011bchovanou vzpom\u00ednku: objekt nese p\u0159\u00edb\u011bh sv\u00e9ho tv\u016frce, dan\u00e9ho divadeln\u00edho p\u0159edstaven\u00ed a\u00a0spole\u010densko-politick\u00e9 atmosf\u00e9ry, v\u00a0n\u00ed\u017e se odehr\u00e1lo. Vzpom\u00ednky a\u00a0pam\u011b\u0165, respektive reflexe, jsou toti\u017e pro fungov\u00e1n\u00ed jevi\u0161tn\u00edho v\u00fdtvarnictv\u00ed kl\u00ed\u010dov\u00e9. \u201eSc\u00e9nografie prob\u00edh\u00e1 v\u00a0cyklick\u00e9m procesu. C\u00edl\u00ed na z\u00e1\u017eitek a\u00a0emocion\u00e1lno, ale d\u016fle\u017eit\u00e9 je jejich kolektivn\u00ed pro\u017e\u00edv\u00e1n\u00ed. To n\u00e1s odli\u0161uje od ostatn\u00edch obor\u016f vizu\u00e1ln\u00edho um\u011bn\u00ed,\u201c \u0159\u00edk\u00e1 Mark\u00e9ta Fantov\u00e1.\u00a0\u201eN\u00e1pad (Imaginace) se mus\u00ed p\u0159etavit (Prom\u011bny) do n\u011b\u010deho konkr\u00e9tn\u00edho, a\u00a0to mus\u00ed prob\u011bhnout p\u0159ed div\u00e1ky. Jinak to, co d\u011bl\u00e1me, nebude existovat. Pak vznikne n\u011bjak\u00e1 kolektivn\u00ed pam\u011b\u0165 (Reflexe) a\u00a0ta nastartuje dal\u0161\u00ed cyklick\u00fd proces,\u201c vysv\u011btluje Fantov\u00e1 a\u00a0odhaluje t\u00edm p\u016fvod leto\u0161n\u00edch t\u0159\u00ed tematick\u00fdch okruh\u016f p\u0159ehl\u00eddky.<\/p>\r\n S\u00a0pam\u011bt\u00ed souvis\u00ed i\u00a0siln\u011bj\u0161\u00ed zam\u011b\u0159en\u00ed na seniory, pro kter\u00e9 m\u00e1 PQ letos vstup zdarma. Snahou organiz\u00e1tor\u016f je nejen nab\u00eddnout jim vhled do dne\u0161n\u00edch mo\u017enost\u00ed sc\u00e9nografie, ale tak\u00e9 si od nich vyslechnout vzpom\u00ednky na divadlo v\u00a0dob\u00e1ch jejich ml\u00e1d\u00ed a\u00a0n\u00e1zory na zm\u011bny, kter\u00e9 se od t\u00e9 doby v\u00a0\u010desk\u00e9m divadelnictv\u00ed ud\u00e1ly.<\/p>\r\n Naopak nejmodern\u011bj\u0161\u00ed podobu sc\u00e9nografie mohou div\u00e1ci spat\u0159it v\u00a0Mal\u00e9 sportovn\u00ed hale. Interaktivn\u00ed a\u00a0experiment\u00e1ln\u00ed projekt 36Q\u00b0 s\u00a0instalac\u00ed Blue Hour a\u00a0projekty Light a\u00a0Sound Spot kombinuje technologie s\u00a0um\u011bn\u00edm a\u00a0vyb\u00edz\u00ed k\u00a0diskuzi o\u00a0jejich dal\u0161\u00edch mo\u017en\u00fdch spojen\u00edch.<\/p>\r\n N\u00e1m\u011bst\u00ed p\u0159ed Pr\u016fmyslov\u00fdm pal\u00e1cem potom ovl\u00e1dnou performe\u0159i v\u00a0r\u00e1mci choreografick\u00e9ho projektu Formace, kter\u00fd reaguje na mo\u017enosti a\u00a0z\u00e1ludnosti um\u011bn\u00ed v\u00a0m\u011bstsk\u00e9m ve\u0159ejn\u00e9m prostoru. Na prost\u0159ed\u00ed, v\u00a0n\u011bm\u017e se divadeln\u00ed po\u010din odehr\u00e1v\u00e1, se tak\u00e9 zam\u011b\u0159uje sekce Site-specific festival. Ta obsad\u00ed architektonicky nesourod\u00e1 prostranstv\u00ed a\u00a0z\u00e1kout\u00ed kolem Pr\u016fmyslov\u00e9ho pal\u00e1ce a\u00a0p\u0159ilehlou Stromovku.\u00a0Sou\u010d\u00e1st\u00ed t\u011bchto performanc\u00ed \u0161it\u00fdch na m\u00edru konkr\u00e9tn\u00edmu prostoru je i\u00a0projekt Emergence, v\u00a0n\u011bm\u017e sc\u00e9nografov\u00e9 reaguj\u00ed na politicko-kulturn\u00ed podm\u00ednky r\u016fzn\u00fdch evropsk\u00fdch oblast\u00ed. \u201eSmyslem je o\u017eivit pam\u011b\u0165 evropsk\u00fdch m\u00edst, kter\u00e1 nen\u00ed \u00fapln\u011b pohodln\u00e1,\u201c dopl\u0148uje Mark\u00e9ta Fantov\u00e1 a\u00a0uv\u00e1d\u00ed konkr\u00e9tn\u00ed p\u0159\u00edklad: don\u011bck\u00e9 centrum modern\u00edho um\u011bn\u00ed Izoljacija (Izolace), kter\u00e9 se muselo kv\u016fli v\u00e1lce na Donbasu p\u0159esunout do exilu do Kyjeva.<\/p>\r\n Srdce p\u0159ehl\u00eddky<\/strong> \u00daslov\u00ed \u201eprkna, kter\u00e1 znamenaj\u00ed sv\u011bt\u201c tu z\u00edsk\u00e1v\u00e1 i\u00a0doslovn\u00fd v\u00fdznam. N\u00e1v\u0161t\u011bvn\u00edci toti\u017e maj\u00ed mo\u017enost sezn\u00e1mit se s\u00a0realizovan\u00fdmi sc\u00e9nick\u00fdmi n\u00e1vrhy z\u00a0v\u00edce ne\u017e sedmdes\u00e1ti zem\u00ed \u2013 od Francie a\u00a0skandin\u00e1vsk\u00fdch zem\u00ed p\u0159es Afriku, \u010c\u00ednu a\u00a0Tchaj-wan a\u017e t\u0159eba po Trinidad a\u00a0Tobago. Ka\u017ed\u00e1 zem\u011b dostala volnou ruku, jak p\u0159edstavit to nejzaj\u00edmav\u011bj\u0161\u00ed, co se v\u00a0jej\u00edch divadlech za posledn\u00ed l\u00e9ta ud\u00e1lo, a\u00a0uk\u00e1zat sm\u011br, j\u00edm\u017e se tamn\u00ed divadelnictv\u00ed ub\u00edr\u00e1. Ve v\u00fdsledku to znamen\u00e1, \u017ee u\u00a0n\u011bkter\u00fdch st\u00e1nk\u016f uvid\u00edte sp\u00ed\u0161e tradi\u010dn\u00ed po\u010diny jevi\u0161tn\u00edho v\u00fdtvarnictv\u00ed, zat\u00edmco jin\u00e9 budou vy\u017eadovat interakci a\u00a0pohraj\u00ed si s\u00a0va\u0161\u00ed fantazi\u00ed. To v\u0161e v\u00a0kulis\u00e1ch v\u00edce \u010di m\u00e9n\u011b exotick\u00fdch kultur.<\/p>\r\n V\u00fdstava divadeln\u00ed architektury a\u00a0prostoru je pojat\u00e1 formou dialogu tv\u016frce a\u00a0u\u017eivatele dan\u00e9ho divadeln\u00edho prostoru na plo\u0161e \u010dty\u0159minutov\u00e9ho filmu. Mezi nejzaj\u00edmav\u011bj\u0161\u00ed prostory vybrala mezin\u00e1rodn\u00ed porota z\u00a0t\u00e9m\u011b\u0159 pades\u00e1tky p\u0159ihl\u00e1\u0161en\u00fdch i\u00a0hole\u0161ovick\u00e9 Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX.<\/p>\r\n Studentsk\u00e1 v\u00fdstava spad\u00e1 sp\u00ed\u0161e do tematick\u00e9ho okruhu Imaginace \u2013 vystavovan\u00e9 n\u00e1vrhy toti\u017e nemusely b\u00fdt realizov\u00e1ny. \u201eN\u00e1pady jsou tu velice pestr\u00e9 a\u00a0n\u011bkter\u00e9 div\u00e1ka za z\u00e1\u017eitkem p\u0159ivezou,\u201c slibuje pon\u011bkud tajupln\u011b Mark\u00e9ta Fantov\u00e1.<\/p>\r\n T\u00edm se dost\u00e1v\u00e1me zp\u011bt k\u00a0\u010desk\u00e9 expozici leto\u0161n\u00edho PQ zm\u00edn\u011bn\u00e9 v\u00a0\u00favodu tohoto \u010dl\u00e1nku. Od \u010desk\u00e9ho st\u00e1nku (jeho\u017e podobu vytvo\u0159ili Kamila Pol\u00edvkov\u00e1 a\u00a0Anton\u00edn \u0160ilar) v\u00a0Pr\u016fmyslov\u00e9m pal\u00e1ci toti\u017e budou n\u00e1v\u0161t\u011bvn\u00edky do CAMPuQ na \u0160tvanici vozit autobusy. \u201eA\u00a0u\u017e p\u0159i n\u00e1stupu do nich za\u010dne hra,\u201c l\u00e1k\u00e1 nem\u00e9n\u011b tajnosnubn\u011b Karol\u00edna Mac\u00e1kov\u00e1, tiskov\u00e1 mluv\u010d\u00ed CAMPuQ.<\/p>\r\n Bl\u00edzk\u00e1 setk\u00e1n\u00ed sc\u00e9nografick\u00e9ho druhu<\/strong> \u201eVytv\u00e1\u0159\u00edme prost\u0159ed\u00ed pro z\u00e1\u017eitek, to je podstatou leto\u0161n\u00edho ro\u010dn\u00edku,\u201c shrnuje Mark\u00e9ta Fantov\u00e1. Z\u00e1\u017eitek \u010dlov\u011bka, kter\u00fd v\u00a0\u017eivot\u011b v\u00a0divadle nebyl a\u00a0jen si p\u0159ijde posed\u011bt na K\u0159i\u017e\u00edkovu font\u00e1nu na osv\u011b\u017euj\u00edc\u00ed drink a\u00a0dobr\u00e9 j\u00eddlo, se pr\u00fd po\u010d\u00edt\u00e1 jako stejn\u011b hodnotn\u00fd.<\/p>\r\n Program a vstupenky Vstupn\u00e9: jednodenn\u00ed vstupenka na v\u0161echny v\u00fdstavy stoj\u00ed 350 K\u010d, sn\u00ed\u017een\u00e9 vstupn\u00e9 150 K\u010d plat\u00ed pro studenty a\u00a0rodi\u010de doprov\u00e1zej\u00edc\u00ed d\u011bti. D\u011bti do 15 let, senio\u0159i nad 65 let a\u00a0n\u00e1v\u0161t\u011bvn\u00edci ZTP maj\u00ed vstup zdarma. I\u00a0oni si v\u0161ak musej\u00ed na pokladn\u011b vyzvednout vstupenku oprav\u0148uj\u00edc\u00ed je ke vstupu do are\u00e1lu na v\u0161echny v\u00fdstavy.<\/p>\r\n Mo\u017en\u00e9 je t\u00e9\u017e po\u0159\u00eddit si jedno- \u010di v\u00edcedenn\u00ed akreditaci. Krom\u011b v\u00fdstav se d\u00edky\u00a0n\u00ed m\u016f\u017ee n\u00e1v\u0161t\u011bvn\u00edk z\u00fa\u010dastnit i\u00a0p\u0159edn\u00e1\u0161ek a\u00a0diskuz\u00ed PQ Talks nebo performanc\u00ed v\u00a0r\u00e1mci PQ Studio: Festival. Jednodenn\u00ed akreditace stoj\u00ed v\u00a0p\u0159edprodeji 475 K\u010d a\u00a0550 K\u010d na m\u00edst\u011b, t\u0159\u00eddenn\u00ed 1000\/1200 K\u010d, pln\u00e1 akreditace 2400\/2900 K\u010d. Studenti mohou vyu\u017e\u00edt studentsk\u00e9 akreditace za sn\u00ed\u017een\u00e9 ceny. V\u00edce na\u00a0http:\/\/www.pq.cz\/cs\/2019\/02\/20\/akreditace<\/a>\/.<\/p>\r\n \u010cesk\u00e1 expozice: CAMPQ CAMPQ, jak se instalace a\u00a0inscenace naz\u00fdvaj\u00ed, nazkou\u0161ely \u010dty\u0159i divadeln\u00ed soubory: Divadlo Let\u00ed, Tygr v\u00a0t\u00edsni a\u00a0\u010dinohra a\u00a0Mal\u00e9 divadlo Jiho\u010desk\u00e9ho divadla v\u00a0\u010cesk\u00fdch Bud\u011bjovic\u00edch. Autory sc\u00e9n\u00e1\u0159e jsou David Ko\u0161\u0165\u00e1k, Marie Nov\u00e1kov\u00e1 a\u00a0Katal\u00e1nci Claudia Ced\u00f3 a\u00a0Juan Yag\u00f3 osloven\u00ed v\u00a0r\u00e1mci evropsk\u00e9 scen\u00e1ristick\u00e9 s\u00edt\u011b Fabulamundi. Playwriting Europe. V\u00edce o\u00a0expozici a\u00a0vstupenk\u00e1ch na p\u0159edstaven\u00ed na www.campq.cz<\/a>.<\/p>\r\n Kde se vzalo PQ C\u00edlem PQ bylo a\u00a0je shrom\u00e1\u017edit to nejlep\u0161\u00ed z\u00a0divadeln\u00edho designu, sc\u00e9nografie a\u00a0divadeln\u00ed architektury a\u00a0p\u0159edstavit d\u011bn\u00ed v\u00a0tomto oboru profesion\u00e1l\u016fm, student\u016fm i\u00a0laick\u00e9 ve\u0159ejnosti. Nem\u00e9n\u011b d\u016fle\u017eit\u00fdm c\u00edlem PQ je umo\u017enit mezin\u00e1rodn\u00ed divadeln\u00ed komunit\u011b setkat se, spole\u010dn\u011b diskutovat a\u00a0navz\u00e1jem\u00a0 Prvn\u00ed ro\u010dn\u00edk PQ se konal v\u00a0Bruselsk\u00e9m pavilonu p\u0159evezen\u00e9m z\u00a0Expa 58 na V\u00fdstavi\u0161t\u011b (tehdy Park kultury a\u00a0oddechu Julia Fu\u010d\u00edka). Z\u00fa\u010dastnila se ho dvac\u00edtka zem\u00ed. Zalo\u017eena zde byla i\u00a0hlavn\u00ed cena festivalu Zlat\u00e1 triga, kterou napoprv\u00e9 z\u00edskala Francie. Ta d\u0159\u00edve sv\u011btov\u00e9 sc\u00e9nografii v\u00fdznamn\u011b ud\u00e1vala t\u00f3n; ostatn\u011b francouz\u0161tina byla i\u00a0hlavn\u00edm dorozum\u00edvac\u00edm jazykem prvn\u00edch ro\u010dn\u00edk\u016f Pra\u017esk\u00e9ho Quadriennale.<\/p>\r\n Na V\u00fdstavi\u0161ti se konaly i\u00a0dal\u0161\u00ed ro\u010dn\u00edky PQ, v\u00a0roce 1991 se p\u0159ehl\u00eddka p\u0159esunula do Pal\u00e1ce kultury. Pot\u00e9 se op\u011bt vr\u00e1tila do Prahy 7. Dal\u0161\u00ed st\u011bhov\u00e1n\u00ed za\u017eila v\u00a0roce 2015, kdy byla rozprost\u0159ena do r\u016fzn\u00fdch m\u00edst historick\u00e9ho centra Prahy. Kde se bude konat patn\u00e1ct\u00fd ro\u010dn\u00edk (2023), organiz\u00e1to\u0159i zat\u00edm nev\u011bd\u00ed. P\u0159ipou\u0161t\u011bj\u00ed variantu st\u0159\u00edd\u00e1n\u00ed: tedy jeden ro\u010dn\u00edk koncentrovan\u00fd na V\u00fdstavi\u0161ti, dal\u0161\u00ed rozkro\u010den\u00fd mezi v\u00edce objekt\u016f a\u00a0prostor ve vnit\u0159n\u00ed Praze.<\/p>\r\n PQ pro seniory<\/strong> Devades\u00e1timinutov\u00e9 prohl\u00eddky v\u00a0are\u00e1lu V\u00fdstavi\u0161t\u011b Praha Hole\u0161ovice pod veden\u00edm odborn\u00e9ho lektora jsou pro seniory 65+ zdarma, jejich kapacita je 20 osob. Nutn\u00e1 rezervace na tel.: 224 809 102 nebo emailu:\u00a0info@pq.cz<\/a>. Term\u00edny: 10. 6., 11. 6., 12. 6., 13. 6. od 10 hodin.\u00a0<\/p>\r\n
\r\n<\/strong>Sc\u00e9nografov\u00e9 jsou na plak\u00e1tech k\u00a0divadeln\u00edm p\u0159edstaven\u00edm uvedeni tu\u010dn\u00fdm p\u00edsmem jen m\u00e1lokdy. P\u0159itom nevhodn\u00e9 kulisy nebo nedomy\u0161len\u00e9 kost\u00fdmy mohou celou inscenaci naprosto poh\u0159b\u00edt. Jak\u00e1 je tedy dnes role sc\u00e9nograf\u016f a\u00a0co jejich pr\u00e1ce obn\u00e1\u0161\u00ed?<\/p>\r\n![\"\"](\"https:\/\/www.praha7.cz\/wp-content\/uploads\/2019\/05\/lacko3.png\")
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\r\nT\u0159in\u00e1ct\u00fd ro\u010dn\u00edk PQ (2015) se konal na r\u016fzn\u00fdch m\u00edstech historick\u00e9ho centra Prahy. R\u016fznorodost jednotliv\u00fdch lokac\u00ed a\u00a0historick\u00fdch pal\u00e1c\u016f v\u0161ak nenab\u00eddla \u00fast\u0159edn\u00ed prostor, kde by se po v\u00fdstav\u00e1ch, p\u0159edn\u00e1\u0161k\u00e1ch a\u00a0workshopech mohli v\u0161ichni setk\u00e1vat a\u00a0d\u00e1le o\u00a0sc\u00e9nografii a\u00a0sou\u010dasn\u00e9m divadle debatovat. \u201eTo je vlastn\u011b pro PQ velice d\u016fle\u017eit\u00e9, d\u016fle\u017eit\u011bj\u0161\u00ed ne\u017e to, co je na Quadriennale vid\u011bt,\u201c vysv\u011btluje sou\u010dasn\u00e1 um\u011bleck\u00e1 \u0159editelka Mark\u00e9ta Fantov\u00e1.<\/p>\r\n
\r\nvzpom\u00edn\u00e1 Mark\u00e9ta Fantov\u00e1. \u201eV\u00a0jednu chv\u00edli n\u00e1m to ale vlastn\u011b p\u0159i\u0161lo pro sc\u00e9nografii p\u0159\u00edhodn\u00e9 a\u00a0rozhodli jsme se tento poloodum\u0159el\u00fd, ale zaj\u00edmav\u00fd prostor o\u017eivit.\u201c Dal\u0161\u00edmi faktory hovo\u0159\u00edc\u00edmi pro byla dobr\u00e1 dostupnost hromadnou dopravou, bl\u00edzkost Stromovky a\u00a0v\u00a0neposledn\u00ed \u0159ad\u011b kulturn\u00ed podhoub\u00ed Prahy 7, sjednocen\u00e9 pod ofici\u00e1ln\u00ed zna\u010dku Art District.<\/p>\r\n![\"\"](\"https:\/\/www.praha7.cz\/wp-content\/uploads\/2019\/05\/lacko2.png\")
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\r\nTradi\u010dn\u00ed j\u00e1dro Pra\u017esk\u00e9ho Quadriennale tvo\u0159\u00ed t\u0159i sout\u011b\u017en\u00ed sekce: V\u00fdstava divadeln\u00ed architektury a\u00a0prostoru, Studentsk\u00e1 v\u00fdstava a\u00a0V\u00fdstava zem\u00ed a\u00a0region\u016f. V\u0161echny se soust\u0159ed\u00ed v\u00a0Pr\u016fmyslov\u00e9m pal\u00e1ci.<\/p>\r\n
\r\nKdy\u017e m\u00e1 um\u011bleck\u00e1 \u0159editelka Fantov\u00e1 odpov\u011bd\u011bt na ot\u00e1zku, komu je tedy Pra\u017esk\u00e9 Quadriennale ur\u010deno p\u0159edev\u0161\u00edm, jen se zasm\u011bje: \u201eSp\u00ed\u0161 snad komu nen\u00ed?\u201c I\u00a0kdy\u017e ve sv\u011bt\u011b prob\u00edhaj\u00ed i\u00a0dal\u0161\u00ed sc\u00e9nografick\u00e9 festivaly \u2013 nap\u0159\u00edklad kvadrien\u00e1le World Stage Design, PQ mezi nimi d\u00edky sv\u00e9mu rozsahu jasn\u011b vy\u010dn\u00edv\u00e1. Jeho dlouholet\u00e1 tradice, \u0161irok\u00e9 tematick\u00e9 a\u00a0stylov\u00e9 rozkro\u010den\u00ed, nekone\u010dn\u00e1 pestrost dne\u0161n\u00edch divadeln\u00edch prostor a\u00a0hojn\u00e1 mezin\u00e1rodn\u00ed \u00fa\u010dast z\u00a0n\u011bj toti\u017e d\u011blaj\u00ed unik\u00e1tn\u00ed labyrint z\u00e1\u017eitk\u016f a\u00a0emoc\u00ed, v\u00a0n\u011bm\u017e se p\u0159\u00edjemn\u011b a\u00a0inspirativn\u011b ztrat\u00ed um\u011blci a\u00a0um\u011ble\u010dt\u00ed tv\u016frci, div\u00e1ci, studenti, senio\u0159i, d\u011bti, politicky anga\u017eovan\u00ed Evropan\u00e9 nebo kni\u017en\u00ed auto\u0159i a\u00a0publicist\u00e9.<\/p>\r\n![\"\"](\"https:\/\/www.praha7.cz\/wp-content\/uploads\/2019\/05\/lacko4.png\")
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\r\n<\/strong>Pra\u017esk\u00e9 Quadriennale se kon\u00e1 ve dnech 6.\u201316. 6. 2019 na V\u00fdstavi\u0161ti a\u00a0ostrov\u011b \u0160tvanice. Kompletn\u00ed program najdete na str\u00e1nk\u00e1ch pq.cz. Program na m\u00edru, v\u010detn\u011b rezervace m\u00edst na akc\u00edch PQ, n\u00e1kupu vstupenek a\u00a0ubytov\u00e1n\u00ed si pak n\u00e1v\u0161t\u011bvn\u00edci mohou vytvo\u0159it pomoc\u00ed platformy my.pq.cz<\/a>.<\/p>\r\n
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\r\n<\/strong>Fantazijn\u00ed adapta\u010dn\u00ed t\u00e1bor pro \u010dty\u0159i kmeny mimozem\u0161\u0165an\u016f, kter\u00e9 na planet\u011b Zemi po\u017e\u00e1daly o\u00a0azyl. P\u0159es den \u201eb\u011b\u017en\u00e1\u201c v\u00fdstava a\u00a0po t\u0159i ve\u010dery (6., 8. a\u00a010. \u010dervna) tak\u00e9 sedmihodinov\u00e1 imerzivn\u00ed inscenace pro dosp\u011bl\u00e9. Tak bude letos vypadat \u010desk\u00e1 expozice v\u00a0r\u00e1mci Pra\u017esk\u00e9ho Quadriennale. Odborn\u00e1 porota vybrala v\u00a0konkurzu tento projekt jako uk\u00e1zku sou\u010dasn\u00e9ho \u010desk\u00e9ho nez\u00e1visl\u00e9ho a\u00a0imerzivn\u00edho divadla, kter\u00e9 se v\u00a0posledn\u00ed dob\u011b t\u011b\u0161\u00ed velk\u00e9mu\u00a0
\r\nz\u00e1jmu div\u00e1k\u016f.<\/p>\r\n
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\r\n<\/strong>Pra\u017esk\u00e9 Quadriennale sc\u00e9nografie a\u00a0divadeln\u00edho prostoru vzniklo v\u00a0roce 1967. Jeho zrodu p\u0159edch\u00e1zela \u00fasp\u011b\u0161n\u00e1 v\u00fdstava v\u00a0r\u00e1mci \u010deskoslovensk\u00e9 v\u00fdpravy na bien\u00e1le v\u00a0brazilsk\u00e9m S\u00e3o Paulu, kter\u00e1 p\u0159ipomn\u011bla v\u00fdznamn\u00e9 po\u010diny \u010desk\u00e9ho a\u00a0slovensk\u00e9ho sc\u00e9nick\u00e9ho v\u00fdtvarnictv\u00ed z\u00a0let 1914\u20131959. Autorem v\u00fdstavy byl Franti\u0161ek Tr\u00f6ster, zakladatel katedry sc\u00e9nick\u00e9ho v\u00fdtvarnictv\u00ed na pra\u017esk\u00e9 DAMU a\u00a0d\u011bde\u010dek sou\u010dasn\u00e9 \u0159editelky PQ Mark\u00e9ty Fantov\u00e9.<\/p>\r\n
\r\nse inspirovat a\u00a0ovliv\u0148ovat.<\/p>\r\n
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\r\nPQ spole\u010dn\u011b s\u00a0platformou M\u00e1\u0161 um\u011bleck\u00e9 st\u0159evo (MUS) a\u00a0radnic\u00ed Prahy 7 p\u0159ipravilo komentovan\u00e9 prohl\u00eddky pro seniory. Jedn\u00e1 se o\u00a0kur\u00e1torsk\u00fd v\u00fdb\u011br z\u00a0V\u00fdstavy zem\u00ed a\u00a0region\u016f, Studentsk\u00e9 v\u00fdstavy \u010di v\u00fdstavy Fragmenty, ale i\u00a0z\u00a0\u017eiv\u00fdch akc\u00ed, jako jsou Site specific festival nebo choreografick\u00e9 Formace. Z\u00e1jemci o\u00a0nov\u00e9 technologie mohou nav\u0161t\u00edvit i\u00a0audiovizu\u00e1ln\u00ed instalaci 36Q\u00b0.<\/p>\r\n
![\"\"](\"https:\/\/www.praha7.cz\/wp-content\/uploads\/2019\/05\/lacko5.png\")
<\/a><\/p>","protected":false},"excerpt":{"rendered":"[perex] Kdy jste byli naposledy ve francouzsk\u00e9m nebo americk\u00e9m divadle? U\u017e si ani nevzpom\u00edn\u00e1te? Nikdy? Potom se v\u00a0prvn\u00ed p\u016flce \u010dervna ur\u010dit\u011b vydejte na V\u00fdstavi\u0161t\u011b. Konat se tu bude \u010dtrn\u00e1ct\u00fd ro\u010dn\u00edk Pra\u017esk\u00e9ho Quadriennale (PQ), tedy festivalu sc\u00e9nografie ze 79 zem\u00ed a\u00a0setk\u00e1n\u00ed sv\u011btov\u00fdch \u0161pi\u010dek tohoto divadeln\u00edho oboru. Vedle toho nejzaj\u00edmav\u011bj\u0161\u00edho, co p\u0159inesly posledn\u00ed roky na sv\u011btov\u00fdch sc\u00e9n\u00e1ch, […]","protected":false},"author":76,"featured_media":26622,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[37],"tags":[],"_links":{"self":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/26601"}],"collection":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/comments?post=26601"}],"version-history":[{"count":4,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/26601\/revisions"}],"predecessor-version":[{"id":26631,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/posts\/26601\/revisions\/26631"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media\/26622"}],"wp:attachment":[{"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/media?parent=26601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/categories?post=26601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.praha7.cz\/api\/wp\/v2\/tags?post=26601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}