[perex]<\/p>\r\n
Na ostrov\u011b \u0160tvanice vznikl p\u0159ed p\u00e1r lety divadeln\u00ed prostor, kter\u00fd se postupn\u011b stal m\u00edstem setk\u00e1v\u00e1n\u00ed nejen div\u00e1k\u016f a\u00a0divadeln\u00edk\u016f, ale tak\u00e9 o\u00e1zou klidu a\u00a0zelen\u011b. Zdej\u0161\u00ed VILA \u0160tvanice<\/a> po\u0159\u00e1d\u00e1 festivaly, workshopy, v\u00edkendov\u00e9 d\u00edlny a\u00a0zapoj\u00ed se i\u00a0do Pra\u017esk\u00e9ho quadriennale<\/a>.<\/p>\r\n [\/perex]<\/p>\r\n VILA a\u00a0cel\u00fd jej\u00ed provoz i\u00a0vedlej\u0161\u00ed aktivity jsou d\u00edlem asi \u010dty\u0159iceti lid\u00ed, kte\u0159\u00ed se staraj\u00ed\u00a0o\u00a0um\u011bleckou produkci, koncerty, festivaly, techniku a\u00a0mnoho dal\u0161\u00edch v\u011bc\u00ed. \u201eN\u011bkdy tu tr\u00e1v\u00edme cel\u00e9 dny a\u00a0ani se n\u00e1m odsud nechce, \u010dlov\u011bk sem p\u0159ijde r\u00e1no, m\u016f\u017ee tu pracovat, potk\u00e1vat se s\u00a0ostatn\u00edmi, a\u00a0t\u00edm, jak je tu kr\u00e1sn\u011b,\u00a0 si p\u0159ipad\u00e1 trochu jako n\u011bkde na chalup\u011b,\u201c\u00a0<\/span>\u0159\u00edk\u00e1 s\u00a0\u00fasm\u011bvem um\u011bleck\u00fd \u0159editel Ivo Kristi\u00e1n <\/span>Kub\u00e1k. Ve vile dnes p\u016fsob\u00ed t\u0159i soubory. Prvn\u00edm z\u00a0nich je Tygr v\u00a0t\u00edsni, kter\u00fd se zab\u00fdv\u00e1 adaptacemi nedramatick\u00fdch l\u00e1tek 20. stolet\u00ed\u00a0a\u00a0v\u00a0jeho\u017e sou\u010dasn\u00e9m reperto\u00e1ru najdeme nap\u0159\u00edklad hru 1913 podle stejnojmenn\u00e9ho kni\u017en\u00edho bestselleru Floriana Illiese o\u00a0roce, v\u00a0n\u011bm\u017e\u00a0<\/span>doopravdy za\u010dalo 20. stolet\u00ed, Kafka napsal Prom\u011bnu, Duchamp namontoval kolo na <\/span>stoli\u010dku, Kokoschka maloval Almu Mahler<\/span>ovou a\u00a0Stravinskij poprv\u00e9 uvedl Sv\u011bcen\u00ed jara. Tygr v\u00a0t\u00edsni si ke spolupr\u00e1ci p\u0159izval sp\u0159\u00e1telen\u00fd soubor Geisslers Hofcomoedianten<\/a>, jeho\u017e reperto\u00e1r je zam\u011b\u0159en\u00fd na barokn\u00ed texty, kter\u00e9 p\u0159ev\u00e1d\u00ed do sou\u010dasn\u00e9ho jazyka. A\u00a0ve druh\u00e9 sezon\u011b k\u00a0nim p\u0159ibylo je\u0161t\u011b Divadlo Let\u00ed<\/a>, d\u00edky n\u011bmu\u017e m\u016f\u017eete ve VILE vid\u011bt \u010desk\u00e9 premi\u00e9ry \u010derstv\u011b p\u0159elo\u017een\u00fdch text\u016f sou\u010dasn\u00fdch autor\u016f.<\/span><\/p>\r\n P\u0159ed VILOU za VILOU<\/strong> T\u00e1bor pro mimozemsk\u00e9 civilizace<\/strong> Kola i\u00a0raj\u010d\u00e1tka<\/strong>
\r\n<\/span>\u017divot ve VILE ale expanduje i\u00a0mimo divadeln\u00ed s\u00e1l. Pod korunami strom\u016f se tu n\u011bkolikr\u00e1t ro\u010dn\u011b po\u0159\u00e1daj\u00ed festivaly, p\u0159i nich\u017e si na sv\u00e9 p\u0159ijdou krom\u011b dosp\u011bl\u00fdch i\u00a0d\u011bti a\u00a0studenti. Na festivale Sva\u0165\u00e1k m\u016f\u017eete potkat zn\u00e1m\u00e9 postavy slavn\u00fdch liter\u00e1rn\u00edch d\u011bl v\u00a0nov\u00fdch situac\u00edch \u2013 co \u0159ekne babi\u010dka Allenovi, kter\u00fd kv\u00edl\u00ed pod stromem nebo Velk\u00e9mu bratrovi, kter\u00fd k\u00e1\u017ee nov\u00fd \u0159\u00e1d? St\u00e1lic\u00ed pra\u017esk\u00e9 divadeln\u00ed sc\u00e9ny je pak z\u00e1\u0159ijov\u00e1 Antick\u00e1 \u0160tvanice, je\u017e nab\u00edz\u00ed klasick\u00e1 antick\u00e1 dramata nebo hry s\u00a0antickou tematikou. Listopadov\u00fd festival VILOmeniny je zasv\u011bcen\u00fd mal\u00fdm div\u00e1k\u016fm a\u00a0<\/span>zaj\u00edmavosti amat\u00e9rsk\u00e9ho divadla z\u00a0cel\u00e9 \u010cR p\u0159edstavuje festival Tyg\u0159\u00ed v\u00fdb\u011br, kter\u00fd se kon\u00e1 v\u00a0prosinci. Ned\u00e1vno tak\u00e9 o\u017eily nedalek\u00e9 prostory b\u00fdval\u00e9 prvorepublikov\u00e9 kav\u00e1rny architekta Josefa Fuchse, kde je\u0161t\u011b p\u0159ed p\u00e1r lety fungovala diskot\u00e9ka. Dnes zde najdete alternativn\u00ed kulturn\u00ed prostor FUCHS2, na jeho\u017e programu se krom\u011b VILY pod\u00edlej\u00ed tak\u00e9 t\u00fdmy projekt\u016f Altenburg 1964, Containall a\u00a0P\u0159\u00edstav 18600 \u2013 p\u0159ev\u00e1\u017en\u011b letn\u00ed podniky, je\u017e zde na\u0161ly zimn\u00ed \u00fato\u010di\u0161t\u011b. Do tohoto prostoru Tygr v\u00a0t\u00edsni p\u0159in\u00e1\u0161\u00ed novou dramaturgickou linii Tv\u00e1\u0159\u00ed v\u00a0tv\u00e1\u0159 \u2013 s\u00e9rii site\u2013specific ve\u010der\u016f, pohybuj\u00edc\u00ed se na hranici divadla a\u00a0mejdanu, je\u017e vych\u00e1z\u00ed z\u00a0historie a\u00a0genia loci tohoto funkcionalistick\u00e9ho prostoru.<\/span><\/p>\r\n
\r\n<\/span>Velk\u00e1 ud\u00e1lost \u010dek\u00e1 \u0160tvanici letos v\u00a0\u010dervnu, bude zde toti\u017e instalov\u00e1n \u010desk\u00fd pavilon Pra\u017esk\u00e9ho quadriennale, jeho\u017e kur\u00e1torem je pr\u00e1v\u011b Ivo Kristi\u00e1n Kub\u00e1k, kter\u00fd stoj\u00ed i\u00a0za cel\u00fdm projektem VILY \u0160tvanice a\u00a0za souborem Tygr v\u00a0t\u00edsni. Z\u00a0V\u00fdstavi\u0161t\u011b, kde se bude Pra\u017esk\u00e9 quadriennale odehr\u00e1vat, budou n\u00e1v\u0161t\u011bvn\u00edci odklon\u011bni na \u0161tvanick\u00fd ostrov, kde vznikne \u201eadapta\u010dn\u00ed t\u00e1bor pro mimozemsk\u00e9 civilizace\u201c a\u00a0<\/span>prostor kolem VILY t\u0159ikr\u00e1t o\u017eije\u00a0<\/span>sedmihodinovou imerzivn\u00ed inscenac\u00ed<\/a> od soumraku do sv\u00edt\u00e1n\u00ed. V\u00edce se o\u00a0programu Pra\u017esk\u00e9ho quadriennale dozv\u00edte v\u00a0\u010dervnov\u00e9m Hobuletu.<\/p>\r\n
\r\n<\/span>Aby v\u0161ak nebyla \u0159e\u010d jenom o\u00a0kultu\u0159e, VILA mysl\u00ed i\u00a0na sport a\u00a0aktivn\u011b se zapojila do snah o\u00a0rekonstrukci bike parku ve sv\u00e9m t\u011bsn\u00e9m sousedstv\u00ed, tak\u017ee i\u00a0bike\u0159i se snad do\u010dkaj\u00ed lep\u0161\u00edch podm\u00ednek d\u0159\u00edve, ne\u017e dojde k\u00a0celkov\u00e9 oprav\u011b ostrova. A\u00a0co \u010dek\u00e1 VILU s\u00a0pl\u00e1novanou revitalizac\u00ed? \u201eV\u00a0<\/span>sout\u011b\u017ei o\u00a0nov\u00fd vzhled \u0160tvanice zv\u00edt\u011bzil p\u0159ed p\u011bti lety architekt Radek Kola\u0159\u00edk, kter\u00fd s\u00a0n\u00e1mi spolupracuje na n\u011bkter\u00fdch st\u00e1lej\u0161\u00edch projektech. Ve sv\u00e9 koncepci po\u010d\u00edt\u00e1 s\u00a0kulturn\u00edm provozem v\u00a0obou zm\u00edn\u011bn\u00fdch budov\u00e1ch, tak\u017ee kultura by se ze \u0160tvanice vytratit nem\u011bla,\u201c slibuje Kub\u00e1k.<\/span><\/p>\r\n